Microphone Preamps

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R 1,995.00
Quick View {"id":1983073321058,"title":"sE Electronics DM1 Dynamite 1 Channel Active Inline Preamp","handle":"se-electronics-dm1-dynamite-1-channel-active-inline-preamp","description":"\u003ch5\u003eOverview\u003c\/h5\u003e\n\u003ch3 id=\"the-span-data-preserve-html-node-true-style-color-b5121b-dm1-dynamite-span-explosive-level-for-all-your-passive-mics-\"\u003e\u003cstrong\u003eThe DM1 DYNAMITE: explosive level for all your passive mics.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eSome mics need a LOT of gain - and not all preamps are up to the challenge. The DM1 DYNAMITE is an ultra-slim active inline preamp that fits seamlessly between your mic and mic pre, providing a massive +28dB of clean, transparent gain for all your passive microphones.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith a sophisticated class-A design and specially-selected high-grade FETs, the DM1 has vastly lower output impedance and nearly half the noise of anything else on the market. Additionally, the gain it provides is always a consistent 28dB regardless of the connected load, thanks to its dedicated buffer amplifier.\u003c\/p\u003e\n\u003cp\u003eThe DM1 is the perfect way to boost the signal from a passive mic, reduce the likelihood of interference, and provide significantly improved level to your preamp – \u003cstrong\u003eall without adding noise or coloration\u003c\/strong\u003e. Its output impendence is also \u003cstrong\u003ethe lowest in its class\u003c\/strong\u003e, allowing it to drive long cable runs while \u003cstrong\u003ereducing susceptibility to RF interference, buzz and hum\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003eReliable operation even in demanding on-stage applications in difficult environments is ensured by the roadworthy and slim all-metal design, robust construction, and high-quality manufacturing standards.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"col sqs-col-8 span-8\"\u003e\n\u003cstrong\u003e+28dB OF CLEAN, CONSISTENT GAIN, INDEPENDENT OF LOAD\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003edesigned for neutral, balanced sound quality\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ethe perfect way to boost the signal of a passive microphone\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003egain stays consistent regardless of connected load\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eprovides significantly improved level to your mic preamp for proper gain staging\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eSOPHISTICATED CLASS-A ELECTRONICS\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003estate of the art electronics and high-grade FETs provide supremely low noise\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003etransformerless design for pristine sound quality\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eprovides the lowest noise in its class\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cstrong\u003eDEDICATED OUTPUT BUFFER AMPLIFIER\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003eprovides +28dB output independent of load impedance or cable length\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eextremely low output impedance\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003edrives long cable runs and can reduce susceptibility to RF interference, buzz \u0026amp; hum\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cstrong\u003eSLIM, RUGGED ALL-METAL HOUSING WITH PREMIUM FINISH\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003eefficient rejection of any electrical interference and noise\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ehigh-quality finish ensures a great look for many years\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eslim design allows for easy placement in the studio or on stage\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cstrong\u003eGOLD-PLATED XLR CONNECTOR\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003efor loss-free and reliable signal connection\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eTechnical Specs\u003c\/h5\u003e\n\u003ctable class=\"specTable\" data-selenium=\"specTable\"\u003e\n\u003ctbody data-selenium=\"specBody\"\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eSystem Requirements\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003eInput: Passive microphone (ribbon\/dynamic)\u003cbr\u003eOutput: Preamp\/mixer or audio interface providing 48 V phantom power\u003cbr\u003eLimitations: Not suitable for phantom-powered microphones (condenser microphones, active ribbon microphones)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eFrequency Range\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e10 Hz to 120 kHz (-0.3 dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eGain\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e28 dB (load 1 kOhm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eMaximum Output Level\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e8.3 dBV \/2.6 V (0.5% THD)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eOutput Noise\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003eLevel: 9 μV (JIS-A)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003ePowering\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e48 V according to IEC 61938\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e135 Ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eLoad Impedance\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e\u0026gt;1 kOhm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eCurrent Consumption\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e3.0 mA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eConnector\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e3-pin male\/female XLR\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eDimensions (Ø x L)\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e0.75 x 3.76\" \/ 1.91 x 9.55 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eWeight\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e2.8 oz \/ 79.9 g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","published_at":"2018-12-27T08:48:10+02:00","created_at":"2018-12-27T09:16:18+02:00","vendor":"sE Electronics","type":"Microphone Preamps","tags":["Brand_sE Electronics"],"price":199500,"price_min":199500,"price_max":199500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":18615912235106,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"SEEL-DM1","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"sE Electronics DM1 Dynamite 1 Channel Active Inline Preamp","public_title":null,"options":["Default Title"],"price":199500,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/se-electronics-microphone-preamps-se-electronics-dm1-dynamite-1-channel-active-inline-preamp-7557271617634.jpg?v=1552696238","\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/se-electronics-microphone-preamps-se-electronics-dm1-dynamite-1-channel-active-inline-preamp-7557273813090.jpg?v=1552696238","\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/se-electronics-microphone-preamps-se-electronics-dm1-dynamite-1-channel-active-inline-preamp-7557279907938.jpg?v=1552696238","\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/se-electronics-microphone-preamps-se-electronics-dm1-dynamite-1-channel-active-inline-preamp-7557291606114.jpg?v=1552696238","\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/se-electronics-microphone-preamps-se-electronics-dm1-dynamite-1-channel-active-inline-preamp-7557298126946.jpg?v=1552696238","\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/se-electronics-microphone-preamps-se-electronics-dm1-dynamite-1-channel-active-inline-preamp-7557301764194.jpg?v=1552696238","\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/se-electronics-microphone-preamps-se-electronics-dm1-dynamite-1-channel-active-inline-preamp-7557304811618.jpg?v=1552696238","\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/se-electronics-microphone-preamps-se-electronics-dm1-dynamite-1-channel-active-inline-preamp-7557307924578.jpg?v=1552696238","\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/se-electronics-microphone-preamps-se-electronics-dm1-dynamite-1-channel-active-inline-preamp-7557310054498.jpg?v=1552696238"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/se-electronics-microphone-preamps-se-electronics-dm1-dynamite-1-channel-active-inline-preamp-7557271617634.jpg?v=1552696238","options":["Title"],"content":"\u003ch5\u003eOverview\u003c\/h5\u003e\n\u003ch3 id=\"the-span-data-preserve-html-node-true-style-color-b5121b-dm1-dynamite-span-explosive-level-for-all-your-passive-mics-\"\u003e\u003cstrong\u003eThe DM1 DYNAMITE: explosive level for all your passive mics.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eSome mics need a LOT of gain - and not all preamps are up to the challenge. The DM1 DYNAMITE is an ultra-slim active inline preamp that fits seamlessly between your mic and mic pre, providing a massive +28dB of clean, transparent gain for all your passive microphones.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith a sophisticated class-A design and specially-selected high-grade FETs, the DM1 has vastly lower output impedance and nearly half the noise of anything else on the market. Additionally, the gain it provides is always a consistent 28dB regardless of the connected load, thanks to its dedicated buffer amplifier.\u003c\/p\u003e\n\u003cp\u003eThe DM1 is the perfect way to boost the signal from a passive mic, reduce the likelihood of interference, and provide significantly improved level to your preamp – \u003cstrong\u003eall without adding noise or coloration\u003c\/strong\u003e. Its output impendence is also \u003cstrong\u003ethe lowest in its class\u003c\/strong\u003e, allowing it to drive long cable runs while \u003cstrong\u003ereducing susceptibility to RF interference, buzz and hum\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003eReliable operation even in demanding on-stage applications in difficult environments is ensured by the roadworthy and slim all-metal design, robust construction, and high-quality manufacturing standards.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"col sqs-col-8 span-8\"\u003e\n\u003cstrong\u003e+28dB OF CLEAN, CONSISTENT GAIN, INDEPENDENT OF LOAD\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003edesigned for neutral, balanced sound quality\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ethe perfect way to boost the signal of a passive microphone\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003egain stays consistent regardless of connected load\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eprovides significantly improved level to your mic preamp for proper gain staging\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eSOPHISTICATED CLASS-A ELECTRONICS\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003estate of the art electronics and high-grade FETs provide supremely low noise\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003etransformerless design for pristine sound quality\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eprovides the lowest noise in its class\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cstrong\u003eDEDICATED OUTPUT BUFFER AMPLIFIER\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003eprovides +28dB output independent of load impedance or cable length\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eextremely low output impedance\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003edrives long cable runs and can reduce susceptibility to RF interference, buzz \u0026amp; hum\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cstrong\u003eSLIM, RUGGED ALL-METAL HOUSING WITH PREMIUM FINISH\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003eefficient rejection of any electrical interference and noise\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ehigh-quality finish ensures a great look for many years\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eslim design allows for easy placement in the studio or on stage\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cstrong\u003eGOLD-PLATED XLR CONNECTOR\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003efor loss-free and reliable signal connection\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eTechnical Specs\u003c\/h5\u003e\n\u003ctable class=\"specTable\" data-selenium=\"specTable\"\u003e\n\u003ctbody data-selenium=\"specBody\"\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eSystem Requirements\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003eInput: Passive microphone (ribbon\/dynamic)\u003cbr\u003eOutput: Preamp\/mixer or audio interface providing 48 V phantom power\u003cbr\u003eLimitations: Not suitable for phantom-powered microphones (condenser microphones, active ribbon microphones)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eFrequency Range\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e10 Hz to 120 kHz (-0.3 dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eGain\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e28 dB (load 1 kOhm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eMaximum Output Level\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e8.3 dBV \/2.6 V (0.5% THD)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eOutput Noise\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003eLevel: 9 μV (JIS-A)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003ePowering\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e48 V according to IEC 61938\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e135 Ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eLoad Impedance\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e\u0026gt;1 kOhm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eCurrent Consumption\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e3.0 mA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eConnector\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e3-pin male\/female XLR\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eDimensions (Ø x L)\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e0.75 x 3.76\" \/ 1.91 x 9.55 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eWeight\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e2.8 oz \/ 79.9 g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e"}
R 27,995.00
Quick View {"id":1413221253218,"title":"RME OctaMic II - Microphone\/Line Preamp with ADC","handle":"rme-octamic-ii","description":"\u003ch5\u003eOverview\u003c\/h5\u003e\n\u003cdiv class=\"ov-wrapper js-overview-desc\"\u003e\n\u003cdiv class=\"ov-desc\"\u003e\n\u003ch3\u003e\u003cstrong\u003eThe RME OctaMic II is an 8 channel microphone\/line preamplifier that also provides pristine analog-to-digital conversion of all channels.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eLow distortion, excellent signal-to-noise ration and highly linear frequency response all contribute to the ability of the unit to transmit and amplify an accurate representation of the source.\u003c\/p\u003e\n\u003cp\u003eThe analog-to-digital converter delivers 8 channels of pristine digital output, available as double ADAT output (S\/MUX up to 96kHz) and simultaneously as 4 AES outputs (up to 192kHz) via a DB-25 connector. The converter can be clocked internally as a master, or externally via word clock and AES sync, while SteadyClock technology ensures the very best sound quality even with a jittery external clock.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sectionHeaders js-hiddenFeatures\" data-selenium=\"sectionHeaders\"\u003e\n\u003cul\u003e\n\u003cli\u003e8-channel microphone\/line preamp with 8-channels of analog-to-digital conversion\u003c\/li\u003e\n\u003cli\u003eLow distortion with linear frequency response provides clear and transparent preamplification\u003c\/li\u003e\n\u003cli\u003eEach channel features a gain control along with switches for enabling phantom power, a high-pass filter and phase reverse\u003c\/li\u003e\n\u003cli\u003ePer channel LEDs indicate phantom power status, signal presence and a clip indicator\u003c\/li\u003e\n\u003cli\u003eWhen activated, a \"Clip Hold\" button prompts any corresponding clip LED to flash once a second when an overload is detected on that particular channel\u003c\/li\u003e\n\u003cli\u003e8, short-circuit protected, low-impedance and servo-balanced line outputs can have their reference level changed simultaneously, via a front panel switch, to aid in maintaining optimum output levels\u003c\/li\u003e\n\u003cli\u003eThe 8-channel analog-to-digital conversion operates at up to 192kHz\u003c\/li\u003e\n\u003cli\u003eDigital output is available simultaneously at the two ADAT outputs, allowing for S\/MUX operation up to 96kHz, and at a DB-25 connector delivering 4 AES\/EBU outputs, up to 192kHz\u003c\/li\u003e\n\u003cli\u003eAnalog outputs and both digital outputs operate simultaneously\u003c\/li\u003e\n\u003cli\u003eSteadyClock ensures near perfect conversion by almost completely removing jitter on any external sync source\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003ch5\u003eTechnical Specs\u003c\/h5\u003e\n\u003ctable class=\"specTable\" data-selenium=\"specTable\"\u003e\n\u003ctbody data-selenium=\"specBody\"\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003e\u003cstrong\u003eNumber of Channels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e8 x Neutrik Combo, electronically balanced\u003cbr\u003e1 x AES\/SPDIF sync input only on 25-pin D-Sub\u003cbr\u003e1 x BNC Wordclock\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003e\u003cstrong\u003eOutput\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e8 x 1\/4\" TRS phone\u003cbr\u003e4 x AES\/EBU (stereo) on 25-pin D-Sub\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003e\u003cstrong\u003ePhantom Power\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e+48V, switchable per channel\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003e\u003cstrong\u003eMulti Function\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e8-channel analog-to-digital converter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003e\u003cstrong\u003eGain Range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e+6dB to +60dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003e\u003cstrong\u003eMaximum Output Level\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e+21dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e10Hz to 150kHz, -0.3dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003e\u003cstrong\u003eNoise\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003eSNR: 129dB EIN @ 150Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003e\u003cstrong\u003ePower Requirements\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e100 - 240VAC, 20W (internal switching)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003e\u003cstrong\u003eDimensions (WxDxH)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e19 x 9.5 x 3.5\" (483 x 242 x 89mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e4.4 lbs (2kg)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003e\u003cstrong\u003eSpecialties\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e28kHz up to 200kHz supported sample rates\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","published_at":"2018-08-01T19:15:29+02:00","created_at":"2018-08-01T19:22:05+02:00","vendor":"RME","type":"Microphone Preamps","tags":["Brand_RME"],"price":2799500,"price_min":2799500,"price_max":2799500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":12667938373730,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"RMEA-OCTAMICII","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"RME OctaMic II - Microphone\/Line Preamp with ADC","public_title":null,"options":["Default Title"],"price":2799500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/rme-microphone-preamps-rme-octamic-ii-microphone-line-preamp-with-adc-3855563554914.jpg?v=1552848108","\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/rme-microphone-preamps-rme-octamic-ii-microphone-line-preamp-with-adc-3855563587682.jpg?v=1552848108"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/rme-microphone-preamps-rme-octamic-ii-microphone-line-preamp-with-adc-3855563554914.jpg?v=1552848108","options":["Title"],"content":"\u003ch5\u003eOverview\u003c\/h5\u003e\n\u003cdiv class=\"ov-wrapper js-overview-desc\"\u003e\n\u003cdiv class=\"ov-desc\"\u003e\n\u003ch3\u003e\u003cstrong\u003eThe RME OctaMic II is an 8 channel microphone\/line preamplifier that also provides pristine analog-to-digital conversion of all channels.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eLow distortion, excellent signal-to-noise ration and highly linear frequency response all contribute to the ability of the unit to transmit and amplify an accurate representation of the source.\u003c\/p\u003e\n\u003cp\u003eThe analog-to-digital converter delivers 8 channels of pristine digital output, available as double ADAT output (S\/MUX up to 96kHz) and simultaneously as 4 AES outputs (up to 192kHz) via a DB-25 connector. The converter can be clocked internally as a master, or externally via word clock and AES sync, while SteadyClock technology ensures the very best sound quality even with a jittery external clock.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sectionHeaders js-hiddenFeatures\" data-selenium=\"sectionHeaders\"\u003e\n\u003cul\u003e\n\u003cli\u003e8-channel microphone\/line preamp with 8-channels of analog-to-digital conversion\u003c\/li\u003e\n\u003cli\u003eLow distortion with linear frequency response provides clear and transparent preamplification\u003c\/li\u003e\n\u003cli\u003eEach channel features a gain control along with switches for enabling phantom power, a high-pass filter and phase reverse\u003c\/li\u003e\n\u003cli\u003ePer channel LEDs indicate phantom power status, signal presence and a clip indicator\u003c\/li\u003e\n\u003cli\u003eWhen activated, a \"Clip Hold\" button prompts any corresponding clip LED to flash once a second when an overload is detected on that particular channel\u003c\/li\u003e\n\u003cli\u003e8, short-circuit protected, low-impedance and servo-balanced line outputs can have their reference level changed simultaneously, via a front panel switch, to aid in maintaining optimum output levels\u003c\/li\u003e\n\u003cli\u003eThe 8-channel analog-to-digital conversion operates at up to 192kHz\u003c\/li\u003e\n\u003cli\u003eDigital output is available simultaneously at the two ADAT outputs, allowing for S\/MUX operation up to 96kHz, and at a DB-25 connector delivering 4 AES\/EBU outputs, up to 192kHz\u003c\/li\u003e\n\u003cli\u003eAnalog outputs and both digital outputs operate simultaneously\u003c\/li\u003e\n\u003cli\u003eSteadyClock ensures near perfect conversion by almost completely removing jitter on any external sync source\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003ch5\u003eTechnical Specs\u003c\/h5\u003e\n\u003ctable class=\"specTable\" data-selenium=\"specTable\"\u003e\n\u003ctbody data-selenium=\"specBody\"\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003e\u003cstrong\u003eNumber of Channels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e8 x Neutrik Combo, electronically balanced\u003cbr\u003e1 x AES\/SPDIF sync input only on 25-pin D-Sub\u003cbr\u003e1 x BNC Wordclock\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003e\u003cstrong\u003eOutput\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e8 x 1\/4\" TRS phone\u003cbr\u003e4 x AES\/EBU (stereo) on 25-pin D-Sub\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003e\u003cstrong\u003ePhantom Power\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e+48V, switchable per channel\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003e\u003cstrong\u003eMulti Function\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e8-channel analog-to-digital converter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003e\u003cstrong\u003eGain Range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e+6dB to +60dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003e\u003cstrong\u003eMaximum Output Level\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e+21dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e10Hz to 150kHz, -0.3dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003e\u003cstrong\u003eNoise\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003eSNR: 129dB EIN @ 150Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003e\u003cstrong\u003ePower Requirements\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e100 - 240VAC, 20W (internal switching)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003e\u003cstrong\u003eDimensions (WxDxH)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e19 x 9.5 x 3.5\" (483 x 242 x 89mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e4.4 lbs (2kg)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003e\u003cstrong\u003eSpecialties\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e28kHz up to 200kHz supported sample rates\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e"}
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Quick View {"id":751275573346,"title":"Warm Audio WA73-EQ Blore Edwards","handle":"warm-audio-wa73-eq","description":"\u003ch5\u003eOverview\u003c\/h5\u003e\n\u003ch3 class=\"font_8\"\u003e\u003cstrong\u003eA Single Channel '73 For The Rest Of Us, we could not have said it better ourselves.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003ch3 class=\"font_8\"\u003e\u003cstrong\u003eThe Warm Audio WA73-EQ Microphone Preamp with EQ section made in the UK by Blore Edwards who manufacture military spec switches and potentiometers. We have to admire Warm Audio standards!\u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"font_8\"\u003e\u003cstrong\u003eIf there’s one style of preamp that professional engineers would unanimously agree has defined the tone of pop\/rock records for decades, it would most definitely be the venerable '73-style of mic pre.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e'73-style preamps have been massively used in recording and live applications for many years and are still considered to be the “Holy Grail” of preamp choices today.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe Warm Audio “WA73 Family” consists of single and dual channel '73-style preamps (with \u0026amp; w\/out EQ), that each pay careful homage to British audio history.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"font_8\"\u003eWhen Warm Audio decided to release the WA73-EQ it was imperative that it met vintage expectation in both design and performance.\u003c\/h3\u003e\n\u003cp class=\"font_8\"\u003e\u003cstrong\u003eThe tone and sweet character that vintage '73-style mic preamps impart is so unique and familiar, that we had only the pure desire to release sonically accurate reproductions.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003eAfter years of R\u0026amp;D, careful reverse-engineering, and countless hours of auditioning, the WA73-EQ has been born!\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cstrong\u003eThe WA73-EQ is a “Desert Island” boutique preamp, but it can also be classified as a studio and live work-horse.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003eClassic '73-style preamps are known for being versatile tools that work with all kinds of microphones from Condenser, to Dynamic, to Ribbon.\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cstrong\u003eThe WA73-EQ equally shines on all types of microphones and sources including; vocals, acoustic\/electric guitars, bass, drums, percussion, orchestras, keyboards, and even as a tone shaping tool to run partial or complete mixes through.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cstrong\u003e80dB of Gain\u003c\/strong\u003e and a fully discrete Carnhill Transformer balanced signal path, there’s no recording, mixing or engineering task that the WA73-EQ can’t handle.\u003c\/p\u003e\n\u003ch3 class=\"font_8\"\u003e\u003cstrong\u003eHand Wired \u0026amp; Hand Assembled\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"font_8\"\u003eClassic '73-style preamps were often hand-wired and so is the WA73-EQ! Guru’s claim that a portion of the sought after classic British tone can be attributed to the hand-wired nature of the build.\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cstrong\u003eThe WA73-EQ is hand-wired and hand assembled, including the pcb components that are all populated by hand.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3 class=\"font_8\"\u003e\u003cstrong\u003eUK Custom Carnhill Transformers\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"font_8\"\u003e\u003cstrong\u003eEnthusiasts unequivocally get excited about the components used in classic '73-style British preamps.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cimg src=\"https:\/\/static.wixstatic.com\/media\/dada90_e26ca6a8b5924810a959a406cbf825f7~mv2.png\/v1\/fill\/w_386,h_252,al_c,usm_0.66_1.00_0.01\/dada90_e26ca6a8b5924810a959a406cbf825f7~mv2.png\"\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cstrong\u003eThe signal transformers are a common topic of conversation.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003eVintage units used various versions of transformers throughout the years, but the most coveted were the earliest versions.\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cstrong\u003eThese are regarded as the most desirable choice due to their fluid and forgiving nature.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003eThey saturate sweetly when pushed, and have been known to make engineers cry when they hear how beautiful their mixes sound through them!\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cstrong\u003eWarm Audio worked closely with Carnhill Transformers of Cambridgeshire, UK, to design faithful reproductions of these most coveted, early version transformers.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003eWarm Audio have not yet heard a modern day '73-style preamp sound as sweet and musical as does our WA73-EQ with these beautiful custom Transformers.\u003c\/p\u003e\n\u003ch3 class=\"font_8\"\u003e\u003cstrong\u003eCapacitors \u0026amp; Signal Path\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"font_8\"\u003eAn important part of the classic British circuits not often discussed are the different styles of capacitors and output transistor used.\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cstrong\u003eThey found it important to maintain integrity to the original design by using tantalum and polystyrene capacitors in the signal path and an output transistor choice that is much smoother in the high gain settings than what is typically found in modern '73-style reproductions.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3 class=\"font_8\"\u003e\u003cstrong\u003eUK Blore Edwards Switch-Pots\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"font_8\"\u003e\u003cstrong\u003eA great sounding '73-style circuit should be just as reliable as it is great sounding.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003eThe complex dual concentric switch potentiometers in the EQ sections of the WA273-EQ are made in the UK by Blore Edwards who manufacture military spec switches and potentiometers.\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cstrong\u003eThe use of Blore-Edwards components is no small inclusion for a '73-style preamp-eq in this price range.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch5 class=\"font_8\"\u003e\u003cstrong\u003eTechnical Specs\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul class=\"font_7\"\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eSingle Channel, Class A, '73-style British Microphone Preamp with EQ\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eUK made Carnhill Transformers\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eUK made - Blore Edwards EQ dual-concentric switch potentiometers\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eHand Wired, hand assembled\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003e80dB of gain - resistor stepped gain switch\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eFully discrete\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eTONE button - Changes input transformer impedance for varying tone\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003ePolarity switch\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003e48v phantom power\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eInductor based 3 band EQ\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eLow Band Boost\/Cut - 35, 60, 110, 220 Hz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eMid Band Boost\/Cut - 360, 700, 1600, 3200, 4800, 7200 Hz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eHigh Band Boost\/Cut - 10, 12, 16 kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eAdditional high band frequency EQ points added (compared to vintage 1073)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003e4 position inductor based hipass filter - 50, 80, 160, 300 Hz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eXLR mic inputs (front \u0026amp; back)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eLine level TRS input\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eTS Send\/Receive insert jacks\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eXLR \u0026amp; TRS line level outputs\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eDirect In, instrument input\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eOutput control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eLed level indication\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eFreq response 20Hz - 20kHz +\/-.5 dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003e19\" rackable\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eInternal IEC 115v\/230v power inlet\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2018-04-21T15:17:56+02:00","created_at":"2018-04-21T15:37:20+02:00","vendor":"Warm Audio","type":"Microphone Preamps","tags":["Brand_Warm Audio"],"price":0,"price_min":0,"price_max":0,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8135091683426,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"WARM-WA73EQ","requires_shipping":true,"taxable":false,"featured_image":null,"available":false,"name":"Warm Audio WA73-EQ Blore Edwards","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/warm-audio-microphone-preamps-warm-audio-wa73-eq-blore-edwards-2529156300898.jpg?v=1552703431","\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/warm-audio-microphone-preamps-warm-audio-wa73-eq-blore-edwards-2529156333666.jpg?v=1552703431","\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/warm-audio-microphone-preamps-warm-audio-wa73-eq-blore-edwards-2529156366434.jpg?v=1552703431","\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/warm-audio-microphone-preamps-warm-audio-wa73-eq-blore-edwards-2529156399202.jpg?v=1552703431"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/warm-audio-microphone-preamps-warm-audio-wa73-eq-blore-edwards-2529156300898.jpg?v=1552703431","options":["Title"],"content":"\u003ch5\u003eOverview\u003c\/h5\u003e\n\u003ch3 class=\"font_8\"\u003e\u003cstrong\u003eA Single Channel '73 For The Rest Of Us, we could not have said it better ourselves.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003ch3 class=\"font_8\"\u003e\u003cstrong\u003eThe Warm Audio WA73-EQ Microphone Preamp with EQ section made in the UK by Blore Edwards who manufacture military spec switches and potentiometers. We have to admire Warm Audio standards!\u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"font_8\"\u003e\u003cstrong\u003eIf there’s one style of preamp that professional engineers would unanimously agree has defined the tone of pop\/rock records for decades, it would most definitely be the venerable '73-style of mic pre.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e'73-style preamps have been massively used in recording and live applications for many years and are still considered to be the “Holy Grail” of preamp choices today.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe Warm Audio “WA73 Family” consists of single and dual channel '73-style preamps (with \u0026amp; w\/out EQ), that each pay careful homage to British audio history.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"font_8\"\u003eWhen Warm Audio decided to release the WA73-EQ it was imperative that it met vintage expectation in both design and performance.\u003c\/h3\u003e\n\u003cp class=\"font_8\"\u003e\u003cstrong\u003eThe tone and sweet character that vintage '73-style mic preamps impart is so unique and familiar, that we had only the pure desire to release sonically accurate reproductions.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003eAfter years of R\u0026amp;D, careful reverse-engineering, and countless hours of auditioning, the WA73-EQ has been born!\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cstrong\u003eThe WA73-EQ is a “Desert Island” boutique preamp, but it can also be classified as a studio and live work-horse.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003eClassic '73-style preamps are known for being versatile tools that work with all kinds of microphones from Condenser, to Dynamic, to Ribbon.\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cstrong\u003eThe WA73-EQ equally shines on all types of microphones and sources including; vocals, acoustic\/electric guitars, bass, drums, percussion, orchestras, keyboards, and even as a tone shaping tool to run partial or complete mixes through.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cstrong\u003e80dB of Gain\u003c\/strong\u003e and a fully discrete Carnhill Transformer balanced signal path, there’s no recording, mixing or engineering task that the WA73-EQ can’t handle.\u003c\/p\u003e\n\u003ch3 class=\"font_8\"\u003e\u003cstrong\u003eHand Wired \u0026amp; Hand Assembled\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"font_8\"\u003eClassic '73-style preamps were often hand-wired and so is the WA73-EQ! Guru’s claim that a portion of the sought after classic British tone can be attributed to the hand-wired nature of the build.\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cstrong\u003eThe WA73-EQ is hand-wired and hand assembled, including the pcb components that are all populated by hand.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3 class=\"font_8\"\u003e\u003cstrong\u003eUK Custom Carnhill Transformers\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"font_8\"\u003e\u003cstrong\u003eEnthusiasts unequivocally get excited about the components used in classic '73-style British preamps.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cimg src=\"https:\/\/static.wixstatic.com\/media\/dada90_e26ca6a8b5924810a959a406cbf825f7~mv2.png\/v1\/fill\/w_386,h_252,al_c,usm_0.66_1.00_0.01\/dada90_e26ca6a8b5924810a959a406cbf825f7~mv2.png\"\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cstrong\u003eThe signal transformers are a common topic of conversation.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003eVintage units used various versions of transformers throughout the years, but the most coveted were the earliest versions.\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cstrong\u003eThese are regarded as the most desirable choice due to their fluid and forgiving nature.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003eThey saturate sweetly when pushed, and have been known to make engineers cry when they hear how beautiful their mixes sound through them!\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cstrong\u003eWarm Audio worked closely with Carnhill Transformers of Cambridgeshire, UK, to design faithful reproductions of these most coveted, early version transformers.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003eWarm Audio have not yet heard a modern day '73-style preamp sound as sweet and musical as does our WA73-EQ with these beautiful custom Transformers.\u003c\/p\u003e\n\u003ch3 class=\"font_8\"\u003e\u003cstrong\u003eCapacitors \u0026amp; Signal Path\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"font_8\"\u003eAn important part of the classic British circuits not often discussed are the different styles of capacitors and output transistor used.\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cstrong\u003eThey found it important to maintain integrity to the original design by using tantalum and polystyrene capacitors in the signal path and an output transistor choice that is much smoother in the high gain settings than what is typically found in modern '73-style reproductions.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3 class=\"font_8\"\u003e\u003cstrong\u003eUK Blore Edwards Switch-Pots\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"font_8\"\u003e\u003cstrong\u003eA great sounding '73-style circuit should be just as reliable as it is great sounding.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003eThe complex dual concentric switch potentiometers in the EQ sections of the WA273-EQ are made in the UK by Blore Edwards who manufacture military spec switches and potentiometers.\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cstrong\u003eThe use of Blore-Edwards components is no small inclusion for a '73-style preamp-eq in this price range.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch5 class=\"font_8\"\u003e\u003cstrong\u003eTechnical Specs\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul class=\"font_7\"\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eSingle Channel, Class A, '73-style British Microphone Preamp with EQ\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eUK made Carnhill Transformers\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eUK made - Blore Edwards EQ dual-concentric switch potentiometers\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eHand Wired, hand assembled\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003e80dB of gain - resistor stepped gain switch\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eFully discrete\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eTONE button - Changes input transformer impedance for varying tone\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003ePolarity switch\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003e48v phantom power\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eInductor based 3 band EQ\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eLow Band Boost\/Cut - 35, 60, 110, 220 Hz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eMid Band Boost\/Cut - 360, 700, 1600, 3200, 4800, 7200 Hz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eHigh Band Boost\/Cut - 10, 12, 16 kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eAdditional high band frequency EQ points added (compared to vintage 1073)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003e4 position inductor based hipass filter - 50, 80, 160, 300 Hz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eXLR mic inputs (front \u0026amp; back)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eLine level TRS input\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eTS Send\/Receive insert jacks\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eXLR \u0026amp; TRS line level outputs\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eDirect In, instrument input\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eOutput control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eLed level indication\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eFreq response 20Hz - 20kHz +\/-.5 dB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003e19\" rackable\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eInternal IEC 115v\/230v power inlet\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e"}
R 11,995.00
Quick View {"id":751269937250,"title":"Warm Audio WA73 Microphone Preamp","handle":"warm-audio-wa73-microphone-preamp","description":"\u003ch5\u003eOverview\u003c\/h5\u003e\n\u003ch3 class=\"font_8\"\u003e\u003cstrong\u003eA Single Channel '73 For The Rest Of Us, we could not have said it better ourselves. The Warm Audio WA73 Microphone Preamp\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eIf there’s one style of preamp that professional engineers would unanimously agree has defined the tone of pop\/rock records for decades, it would most definitely be the venerable '73-style of mic pre.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e'73-style preamps have been massively used in recording and live applications for many years and are still considered to be the “Holy Grail” of preamp choices today.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe Warm Audio “WA73 Family” consists of single and dual channel '73-style preamps (with \u0026amp; w\/out EQ), that each pay careful homage to British audio history.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"font_8\"\u003eWhen Warm Audio decided to release the WA73 it was imperative that it met vintage expectation in both design and performance.\u003cbr\u003e\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cp class=\"font_8\"\u003e\u003cstrong\u003eThe tone and sweet character that vintage '73-style mic preamps impart is so unique and familiar, that we had only the pure desire to release sonically accurate reproductions.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003eAfter years of R\u0026amp;D, careful reverse-engineering, and countless hours of auditioning, the WA73 has been born!\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cstrong\u003eThe WA73 is a “Desert Island” boutique preamp, but it can also be classified as a studio and live work-horse.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003eClassic '73-style preamps are known for being versatile tools that work with all kinds of microphones from Condenser, to Dynamic, to Ribbon.\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cstrong\u003eThe WA73 equally shines on all types of microphones and sources including; vocals, acoustic\/electric guitars, bass, drums, percussion, orchestras, keyboards, and even as a tone shaping tool to run partial or complete mixes through.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cstrong\u003e80dB of Gain\u003c\/strong\u003e and a fully discrete Carnhill Transformer balanced signal path, there’s no recording, mixing or engineering task that the WA73 can’t handle.\u003c\/p\u003e\n\u003ch3 class=\"font_8\"\u003e\u003cstrong\u003eHand Wired \u0026amp; Hand Assembled\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eClassic '73-style preamps were often hand-wired and so is the WA73!  Guru’s claim that a portion of the sought after classic British tone can be attributed to the hand-wired nature of the build.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eHand-wired and hand assembled, including the pcb components that are all populated by hand.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"font_8\"\u003e\u003cstrong\u003eUK Custom Carnhill Transformers\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"font_8\"\u003eEnthusiasts unequivocally get excited about the components used in classic '73-style British preamps.\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cimg src=\"https:\/\/static.wixstatic.com\/media\/dada90_e26ca6a8b5924810a959a406cbf825f7~mv2.png\/v1\/fill\/w_386,h_252,al_c,usm_0.66_1.00_0.01\/dada90_e26ca6a8b5924810a959a406cbf825f7~mv2.png\"\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cstrong\u003eThe signal transformers are a common topic of conversation.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003eVintage units used various versions of transformers throughout the years, but the most coveted were the earliest versions.\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cstrong\u003eThese are regarded as the most desirable choice due to their fluid and forgiving nature.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003eThey saturate sweetly when pushed, and have been known to make engineers cry when they hear how beautiful their mixes sound through them!\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003eWarm Audio worked closely with \u003cstrong\u003eCarnhill Transformers of Cambridgeshire, UK\u003c\/strong\u003e, to design faithful reproductions of these most coveted, early version transformers.\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003eWarm Audio have not yet heard a modern day '73-style preamp sound as sweet and musical as does our WA73 with these \u003cstrong\u003ebeautiful custom Transformers.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3 class=\"font_8\"\u003e\u003cstrong\u003eCapacitors \u0026amp; Signal Path\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"font_8\"\u003e\u003cstrong\u003eAn important part of classic British tone not often discussed are the different styles of capacitors and output transistor used in '73-style circuits.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003eThey have found it important to maintain integrity to early British designs by using tantalum and polystyrene capacitors in the signal path and an output transistor choice that is much smoother in the high gain settings than what is typically found in modern '73-style preamps.\u003c\/p\u003e\n\u003ch5 class=\"font_8\"\u003eTechnical Specs\u003c\/h5\u003e\n\u003cul class=\"font_7\"\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eSingle Channel, Class A, '73-style British Microphone Preamp\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eUK made Carnhill Transformers\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eHand wired, hand assembled\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003e80dB of gain - resistor stepped gain switch\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eFully discrete\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eTONE button - Changes input transformer impedance for varying tone\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003ePolarity switch\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003e48v phantom power\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003e4 position inductor based hipass filter - 50, 80, 160, 300 Hz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eXLR mic input\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eLine level TRS input\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eTS Send\/Receive insert jacks\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eXLR \u0026amp; TRS line level outputs\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eDirect In, instrument input\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eOutput control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eLed level indication\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003e19\" rackable\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eGround lift switch\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eInternal IEC 115v\/230v power inlet\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2018-04-21T14:54:30+02:00","created_at":"2018-04-21T15:01:21+02:00","vendor":"Warm Audio","type":"Microphone Preamps","tags":["Brand_Warm Audio"],"price":1199500,"price_min":1199500,"price_max":1199500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8135070482530,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"WARM-WA73","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Warm Audio WA73 Microphone Preamp","public_title":null,"options":["Default Title"],"price":1199500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/warm-audio-microphone-preamps-warm-audio-wa73-microphone-preamp-2529138081890.jpg?v=1552700193","\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/warm-audio-microphone-preamps-warm-audio-wa73-microphone-preamp-2529138114658.jpg?v=1552700193","\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/warm-audio-microphone-preamps-warm-audio-wa73-microphone-preamp-2529138180194.jpg?v=1552700193","\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/warm-audio-microphone-preamps-warm-audio-wa73-microphone-preamp-2529138245730.jpg?v=1552700193"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/warm-audio-microphone-preamps-warm-audio-wa73-microphone-preamp-2529138081890.jpg?v=1552700193","options":["Title"],"content":"\u003ch5\u003eOverview\u003c\/h5\u003e\n\u003ch3 class=\"font_8\"\u003e\u003cstrong\u003eA Single Channel '73 For The Rest Of Us, we could not have said it better ourselves. The Warm Audio WA73 Microphone Preamp\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eIf there’s one style of preamp that professional engineers would unanimously agree has defined the tone of pop\/rock records for decades, it would most definitely be the venerable '73-style of mic pre.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e'73-style preamps have been massively used in recording and live applications for many years and are still considered to be the “Holy Grail” of preamp choices today.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe Warm Audio “WA73 Family” consists of single and dual channel '73-style preamps (with \u0026amp; w\/out EQ), that each pay careful homage to British audio history.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"font_8\"\u003eWhen Warm Audio decided to release the WA73 it was imperative that it met vintage expectation in both design and performance.\u003cbr\u003e\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cp class=\"font_8\"\u003e\u003cstrong\u003eThe tone and sweet character that vintage '73-style mic preamps impart is so unique and familiar, that we had only the pure desire to release sonically accurate reproductions.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003eAfter years of R\u0026amp;D, careful reverse-engineering, and countless hours of auditioning, the WA73 has been born!\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cstrong\u003eThe WA73 is a “Desert Island” boutique preamp, but it can also be classified as a studio and live work-horse.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003eClassic '73-style preamps are known for being versatile tools that work with all kinds of microphones from Condenser, to Dynamic, to Ribbon.\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cstrong\u003eThe WA73 equally shines on all types of microphones and sources including; vocals, acoustic\/electric guitars, bass, drums, percussion, orchestras, keyboards, and even as a tone shaping tool to run partial or complete mixes through.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cstrong\u003e80dB of Gain\u003c\/strong\u003e and a fully discrete Carnhill Transformer balanced signal path, there’s no recording, mixing or engineering task that the WA73 can’t handle.\u003c\/p\u003e\n\u003ch3 class=\"font_8\"\u003e\u003cstrong\u003eHand Wired \u0026amp; Hand Assembled\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eClassic '73-style preamps were often hand-wired and so is the WA73!  Guru’s claim that a portion of the sought after classic British tone can be attributed to the hand-wired nature of the build.\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eHand-wired and hand assembled, including the pcb components that are all populated by hand.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"font_8\"\u003e\u003cstrong\u003eUK Custom Carnhill Transformers\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"font_8\"\u003eEnthusiasts unequivocally get excited about the components used in classic '73-style British preamps.\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cimg src=\"https:\/\/static.wixstatic.com\/media\/dada90_e26ca6a8b5924810a959a406cbf825f7~mv2.png\/v1\/fill\/w_386,h_252,al_c,usm_0.66_1.00_0.01\/dada90_e26ca6a8b5924810a959a406cbf825f7~mv2.png\"\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cstrong\u003eThe signal transformers are a common topic of conversation.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003eVintage units used various versions of transformers throughout the years, but the most coveted were the earliest versions.\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cstrong\u003eThese are regarded as the most desirable choice due to their fluid and forgiving nature.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003eThey saturate sweetly when pushed, and have been known to make engineers cry when they hear how beautiful their mixes sound through them!\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003eWarm Audio worked closely with \u003cstrong\u003eCarnhill Transformers of Cambridgeshire, UK\u003c\/strong\u003e, to design faithful reproductions of these most coveted, early version transformers.\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003eWarm Audio have not yet heard a modern day '73-style preamp sound as sweet and musical as does our WA73 with these \u003cstrong\u003ebeautiful custom Transformers.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3 class=\"font_8\"\u003e\u003cstrong\u003eCapacitors \u0026amp; Signal Path\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"font_8\"\u003e\u003cstrong\u003eAn important part of classic British tone not often discussed are the different styles of capacitors and output transistor used in '73-style circuits.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003eThey have found it important to maintain integrity to early British designs by using tantalum and polystyrene capacitors in the signal path and an output transistor choice that is much smoother in the high gain settings than what is typically found in modern '73-style preamps.\u003c\/p\u003e\n\u003ch5 class=\"font_8\"\u003eTechnical Specs\u003c\/h5\u003e\n\u003cul class=\"font_7\"\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eSingle Channel, Class A, '73-style British Microphone Preamp\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eUK made Carnhill Transformers\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eHand wired, hand assembled\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003e80dB of gain - resistor stepped gain switch\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eFully discrete\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eTONE button - Changes input transformer impedance for varying tone\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003ePolarity switch\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003e48v phantom power\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003e4 position inductor based hipass filter - 50, 80, 160, 300 Hz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eXLR mic input\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eLine level TRS input\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eTS Send\/Receive insert jacks\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eXLR \u0026amp; TRS line level outputs\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eDirect In, instrument input\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eOutput control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eLed level indication\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003e19\" rackable\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eGround lift switch\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"font_8\"\u003eInternal IEC 115v\/230v power inlet\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e"}
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Quick View {"id":645997395996,"title":"Millennia HV-35P 1 Channel Microphone Preamplifier \u0026 DI Box","handle":"millennia-hv-35p-1-channel-microphone-preamplifier-di-box","description":"\u003ch5\u003eOverview\u003c\/h5\u003e\n\u003ch4\u003e\u003cspan\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cstrong\u003eSpecial order\u003c\/strong\u003e\u003c\/span\u003e from \u003cstrong\u003eMillennia\u003c\/strong\u003e and usually arrives with you in 7-10 days*,\u003c\/span\u003e\u003c\/h4\u003e\n\u003ch3\u003e\u003cstrong\u003eAuthentic Transparency for Unrestricted Creativity\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eContinuously variable gain control\u003cspan\u003e​\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eFront panel instrument input\u003c\/li\u003e\n\u003cli\u003eDC coupled ribbon mic with 10dB gain boost setting\u003c\/li\u003e\n\u003cli\u003e80 Hz rolloff filter\u003c\/li\u003e\n\u003cli\u003e48V phantom power\u003c\/li\u003e\n\u003cli\u003e14 dB Pad\u003c\/li\u003e\n\u003cli\u003ePolarity flip\u003c\/li\u003e\n\u003cli\u003e12 to 15V operation - 100 to 240V line lump power supply, 12V output, included\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eTechnical Specs\u003c\/h5\u003e\n\u003ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Gain\u003c\/td\u003e\n\u003ctd\u003e14.5 dB, 1dB with Pad\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Gain (continuously variable) \u003c\/td\u003e\n\u003ctd\u003e60 dB (70 dB in Ribbon Mode)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFrequency Response  (-3 dB)\u003c\/td\u003e\n\u003ctd\u003e\u0026lt; 10 Hz to  \u0026gt; 200 kHz\u003cbr\u003etypical -1.0 dB @ 10 Hz\u003cbr\u003etypical  -1.5 dB @ 200 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNoise (60 dB Gain, 10 Hz - 30 kHz, Inputs common)\u003c\/td\u003e\n\u003ctd\u003e-130 dB EIN\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTotal Harmonic Distortion + Noise (35 dB Gain, 10 Hz - 20 kHz bandwidth, +24 dBu Out)\u003c\/td\u003e\n\u003ctd\u003e\u0026lt; .003%, Typical \u0026lt; .001%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eIntermodulation Distortion (50 Hz \u0026amp; 7 kHz) 35 dB Gain\u003c\/td\u003e\n\u003ctd\u003e\u0026lt; .0006% +12 dBu Out\u003cbr\u003e\u0026lt; .001% +20 dBu Out\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePhase Response (35 dB Gain, 50 Hz - 20 kHz bandwidth, +27 dBu Out)\u003c\/td\u003e\n\u003ctd\u003e\u0026lt; 2 degrees deviation\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCommon Mode Rejection Ratio (35 dB Gain, 10 Hz - 20 kHz bandwidth, 100 mV C.M.)\u003c\/td\u003e\n\u003ctd\u003e\u0026gt; 65 dB, Typ \u0026gt; 85 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSlew Rate (\u003cem\u003e35\u003c\/em\u003e dB Gain, +24 dBu Out)\u003c\/td\u003e\n\u003ctd\u003e\u0026gt; 25 Volts per microsecond\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Input Level (20 Hz - 40 kHz)\u003c\/td\u003e\n\u003ctd\u003e+12dBu @ 0.02% THD+N\u003cbr\u003e+18dBu @ 0.02% THD+N with pad\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Output Level\u003c\/td\u003e\n\u003ctd\u003e1 kHz @ 35dB of gain, THD+N is:\u003cbr\u003e\u0026lt; 0.001% at +26dBu output\u003cbr\u003e\u0026lt; 0.05% @ +28 dBu output.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePhantom Input Impedance (1 kHz)\u003c\/td\u003e\n\u003ctd\u003e2,210 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Impedance\u003c\/td\u003e\n\u003ctd\u003e24.3 Ohms (x2)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePhantom Powering\u003c\/td\u003e\n\u003ctd\u003e48V dc +\/- 2V dc\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions\/Shipping Weight\u003c\/td\u003e\n\u003ctd\u003e5.67\" W x 1.69” H x 8.19” D, 3 lbs.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","published_at":"2018-03-12T18:31:42+02:00","created_at":"2018-02-13T20:00:56+02:00","vendor":"Millenia","type":"Microphone Preamps","tags":["Brand_Millenia"],"price":0,"price_min":0,"price_max":0,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7745173585948,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"MILL-HV-35P","requires_shipping":true,"taxable":false,"featured_image":null,"available":false,"name":"Millennia HV-35P 1 Channel Microphone Preamplifier \u0026 DI Box","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/millenia-microphone-preamps-millennia-hv-35p-1-channel-microphone-preamplifier-di-box-2218266656796.jpg?v=1552737752","\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/millenia-microphone-preamps-millennia-hv-35p-1-channel-microphone-preamplifier-di-box-2218266853404.jpg?v=1552737752","\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/millenia-microphone-preamps-millennia-hv-35p-1-channel-microphone-preamplifier-di-box-2218266918940.jpg?v=1552737752","\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/millenia-microphone-preamps-millennia-hv-35p-1-channel-microphone-preamplifier-di-box-2218267082780.jpg?v=1552737752"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/millenia-microphone-preamps-millennia-hv-35p-1-channel-microphone-preamplifier-di-box-2218266656796.jpg?v=1552737752","options":["Title"],"content":"\u003ch5\u003eOverview\u003c\/h5\u003e\n\u003ch4\u003e\u003cspan\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cstrong\u003eSpecial order\u003c\/strong\u003e\u003c\/span\u003e from \u003cstrong\u003eMillennia\u003c\/strong\u003e and usually arrives with you in 7-10 days*,\u003c\/span\u003e\u003c\/h4\u003e\n\u003ch3\u003e\u003cstrong\u003eAuthentic Transparency for Unrestricted Creativity\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eContinuously variable gain control\u003cspan\u003e​\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eFront panel instrument input\u003c\/li\u003e\n\u003cli\u003eDC coupled ribbon mic with 10dB gain boost setting\u003c\/li\u003e\n\u003cli\u003e80 Hz rolloff filter\u003c\/li\u003e\n\u003cli\u003e48V phantom power\u003c\/li\u003e\n\u003cli\u003e14 dB Pad\u003c\/li\u003e\n\u003cli\u003ePolarity flip\u003c\/li\u003e\n\u003cli\u003e12 to 15V operation - 100 to 240V line lump power supply, 12V output, included\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eTechnical Specs\u003c\/h5\u003e\n\u003ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Gain\u003c\/td\u003e\n\u003ctd\u003e14.5 dB, 1dB with Pad\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Gain (continuously variable) \u003c\/td\u003e\n\u003ctd\u003e60 dB (70 dB in Ribbon Mode)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFrequency Response  (-3 dB)\u003c\/td\u003e\n\u003ctd\u003e\u0026lt; 10 Hz to  \u0026gt; 200 kHz\u003cbr\u003etypical -1.0 dB @ 10 Hz\u003cbr\u003etypical  -1.5 dB @ 200 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNoise (60 dB Gain, 10 Hz - 30 kHz, Inputs common)\u003c\/td\u003e\n\u003ctd\u003e-130 dB EIN\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTotal Harmonic Distortion + Noise (35 dB Gain, 10 Hz - 20 kHz bandwidth, +24 dBu Out)\u003c\/td\u003e\n\u003ctd\u003e\u0026lt; .003%, Typical \u0026lt; .001%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eIntermodulation Distortion (50 Hz \u0026amp; 7 kHz) 35 dB Gain\u003c\/td\u003e\n\u003ctd\u003e\u0026lt; .0006% +12 dBu Out\u003cbr\u003e\u0026lt; .001% +20 dBu Out\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePhase Response (35 dB Gain, 50 Hz - 20 kHz bandwidth, +27 dBu Out)\u003c\/td\u003e\n\u003ctd\u003e\u0026lt; 2 degrees deviation\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCommon Mode Rejection Ratio (35 dB Gain, 10 Hz - 20 kHz bandwidth, 100 mV C.M.)\u003c\/td\u003e\n\u003ctd\u003e\u0026gt; 65 dB, Typ \u0026gt; 85 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSlew Rate (\u003cem\u003e35\u003c\/em\u003e dB Gain, +24 dBu Out)\u003c\/td\u003e\n\u003ctd\u003e\u0026gt; 25 Volts per microsecond\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Input Level (20 Hz - 40 kHz)\u003c\/td\u003e\n\u003ctd\u003e+12dBu @ 0.02% THD+N\u003cbr\u003e+18dBu @ 0.02% THD+N with pad\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Output Level\u003c\/td\u003e\n\u003ctd\u003e1 kHz @ 35dB of gain, THD+N is:\u003cbr\u003e\u0026lt; 0.001% at +26dBu output\u003cbr\u003e\u0026lt; 0.05% @ +28 dBu output.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePhantom Input Impedance (1 kHz)\u003c\/td\u003e\n\u003ctd\u003e2,210 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Impedance\u003c\/td\u003e\n\u003ctd\u003e24.3 Ohms (x2)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePhantom Powering\u003c\/td\u003e\n\u003ctd\u003e48V dc +\/- 2V dc\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions\/Shipping Weight\u003c\/td\u003e\n\u003ctd\u003e5.67\" W x 1.69” H x 8.19” D, 3 lbs.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e"}
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Quick View {"id":645975506972,"title":"Rupert Neve Designs Portico 5012 Horizontal","handle":"rupert-neve-designs-portico-5012-2-channel-microphone-preamp-horizontal","description":"\u003ch5\u003eOverview\u003c\/h5\u003e\n\u003cp\u003eThe Portico 5012 is a dual channel mic pre featuring Rupert Neve’s custom input and output transformer designs. In addition to individually selectable phase, mute, phantom power and a fully sweepable high pass filter, the 5012 incorporates a \"Silk\" circuit which yields the rich warmth and presence of his renowned classics.\u003c\/p\u003e\n\u003ch3\u003eMicrophone Input\u003c\/h3\u003e\n\u003cp\u003eThe microphone input is balanced but not floating, being a variant of an instrumentation amplifer using a \"Transformer-Like-Amplifier\" (T.L.A.) configuration with a toroidal Common Mode Rejection Low Pass Filter that excludes frequencies above 150 kHz. The T.L.A. is followed by an actual input transformer permitting a full +25 dBu input signal to be handled at unity gain without an input pad over the whole audio spectrum. This combines the advantages of both an \"Electronically Balanced\" and true transformer input.\u003c\/p\u003e\n\u003cp\u003eWhen the Phantom voltage is switched off, this input serves as a very high quality line input with an impedance of 10K Ohms.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/files\/5012description-new-01-1800x1208_large.png?v=1518541159\" alt=\"\"\u003e\u003c\/p\u003e\n\u003ch3\u003eLow Noise, Low Distortion Operation\u003c\/h3\u003e\n\u003cp\u003eMuch care was given in designing the 5012 to produce as little noise and non-harmonic distortion as possible. Carefully implemented signal paths and Class A operation are a large part of the 5012′s sweet, whisper-quiet performance.\u003c\/p\u003e\n\u003cp\u003eAll Portico modules use input and output transformers and almost entirely discrete component amplifiers. In fact, the Line amplifiers on their own, inserted into the signal chain, are capable of enhancing the sonic quality of many signal sources, especially those of digital origin. These are some of the factors that enable the Portico 5012 to work so unobtrusively within the context of a very high quality audio chain.\u003c\/p\u003e\n\u003ch3\u003eWhy Transformers?\u003c\/h3\u003e\n\u003cp\u003eThe fine subtleties of circuit design relating to sonic performance are gradually becoming more clearly understood. For example, research has shown conclusively that frequencies above 20kHz affect the way in which humans perceive sound quality. But long before scientific evidence emerged, a substantial body of musicians and engineers knew that equipment with apparently the same technical measurements could sound very different.\u003c\/p\u003e\n\u003cp\u003eIncredibly small amounts of musically dissonant odd harmonics can have a disastrous effect on the sound quality. Extraneous noise or interference that finds its way into a signal path seriously impairs performance of the whole chain. Since many control rooms make use of outboard gear that is not well protected from external signals, poor grounding of such equipment can be a serious problem. “Electronically balanced” circuits, much-used in modern equipment, can give very good measurements on the test bench but they do not provide adequate rejection of the stray fields found in every working environment.\u003c\/p\u003e\n\u003cp\u003eTo correct these issues, input and output circuits must be freed from ground dependence so that only the wanted signal enters and leaves the processing path. Transformers are the ideal solution. The sweet and silky sound of Mr. Neve’s classic designs was achieved with big transistors and large high quality transformers. Rupert Neve Designs’ Portico modules achieve similar quality today without the bulk or the cost.\u003c\/p\u003e\n\u003cp\u003eIn order for modules to work together as would be expected (i.e. in a proprietary console configuration) without producing hum, R.F. interference, or other interactions, the connecting interfaces, grounding, levels and impedances must receive careful attention. Each Portico module is a complete integral signal processor that delivers its specified performance independently. This is one reason why we use transformers.\u003c\/p\u003e","published_at":"2018-08-23T16:28:14+02:00","created_at":"2018-02-13T19:02:22+02:00","vendor":"Rupert Neve Designs","type":"Microphone Preamps","tags":["Brand_Rupert Neve Designs"],"price":0,"price_min":0,"price_max":0,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7744852951068,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"NEVE-5012HORIZONTAL","requires_shipping":true,"taxable":false,"featured_image":null,"available":false,"name":"Rupert Neve Designs Portico 5012 Horizontal","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/rupert-neve-designs-microphone-preamps-rupert-neve-designs-portico-5012-horizontal-2217912336412.jpg?v=1552788270","\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/rupert-neve-designs-microphone-preamps-rupert-neve-designs-portico-5012-horizontal-2217913090076.jpg?v=1552788270"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/rupert-neve-designs-microphone-preamps-rupert-neve-designs-portico-5012-horizontal-2217912336412.jpg?v=1552788270","options":["Title"],"content":"\u003ch5\u003eOverview\u003c\/h5\u003e\n\u003cp\u003eThe Portico 5012 is a dual channel mic pre featuring Rupert Neve’s custom input and output transformer designs. In addition to individually selectable phase, mute, phantom power and a fully sweepable high pass filter, the 5012 incorporates a \"Silk\" circuit which yields the rich warmth and presence of his renowned classics.\u003c\/p\u003e\n\u003ch3\u003eMicrophone Input\u003c\/h3\u003e\n\u003cp\u003eThe microphone input is balanced but not floating, being a variant of an instrumentation amplifer using a \"Transformer-Like-Amplifier\" (T.L.A.) configuration with a toroidal Common Mode Rejection Low Pass Filter that excludes frequencies above 150 kHz. The T.L.A. is followed by an actual input transformer permitting a full +25 dBu input signal to be handled at unity gain without an input pad over the whole audio spectrum. This combines the advantages of both an \"Electronically Balanced\" and true transformer input.\u003c\/p\u003e\n\u003cp\u003eWhen the Phantom voltage is switched off, this input serves as a very high quality line input with an impedance of 10K Ohms.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/files\/5012description-new-01-1800x1208_large.png?v=1518541159\" alt=\"\"\u003e\u003c\/p\u003e\n\u003ch3\u003eLow Noise, Low Distortion Operation\u003c\/h3\u003e\n\u003cp\u003eMuch care was given in designing the 5012 to produce as little noise and non-harmonic distortion as possible. Carefully implemented signal paths and Class A operation are a large part of the 5012′s sweet, whisper-quiet performance.\u003c\/p\u003e\n\u003cp\u003eAll Portico modules use input and output transformers and almost entirely discrete component amplifiers. In fact, the Line amplifiers on their own, inserted into the signal chain, are capable of enhancing the sonic quality of many signal sources, especially those of digital origin. These are some of the factors that enable the Portico 5012 to work so unobtrusively within the context of a very high quality audio chain.\u003c\/p\u003e\n\u003ch3\u003eWhy Transformers?\u003c\/h3\u003e\n\u003cp\u003eThe fine subtleties of circuit design relating to sonic performance are gradually becoming more clearly understood. For example, research has shown conclusively that frequencies above 20kHz affect the way in which humans perceive sound quality. But long before scientific evidence emerged, a substantial body of musicians and engineers knew that equipment with apparently the same technical measurements could sound very different.\u003c\/p\u003e\n\u003cp\u003eIncredibly small amounts of musically dissonant odd harmonics can have a disastrous effect on the sound quality. Extraneous noise or interference that finds its way into a signal path seriously impairs performance of the whole chain. Since many control rooms make use of outboard gear that is not well protected from external signals, poor grounding of such equipment can be a serious problem. “Electronically balanced” circuits, much-used in modern equipment, can give very good measurements on the test bench but they do not provide adequate rejection of the stray fields found in every working environment.\u003c\/p\u003e\n\u003cp\u003eTo correct these issues, input and output circuits must be freed from ground dependence so that only the wanted signal enters and leaves the processing path. Transformers are the ideal solution. The sweet and silky sound of Mr. Neve’s classic designs was achieved with big transistors and large high quality transformers. Rupert Neve Designs’ Portico modules achieve similar quality today without the bulk or the cost.\u003c\/p\u003e\n\u003cp\u003eIn order for modules to work together as would be expected (i.e. in a proprietary console configuration) without producing hum, R.F. interference, or other interactions, the connecting interfaces, grounding, levels and impedances must receive careful attention. Each Portico module is a complete integral signal processor that delivers its specified performance independently. This is one reason why we use transformers.\u003c\/p\u003e"}
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Quick View {"id":645971804188,"title":"dbx 286s 1 Channel Strip w\/ Compressor \/ Expander \/ Gate \/ De-esser","handle":"dbx-286s","description":"\u003ch5\u003eOverview\u003c\/h5\u003e\n\u003ch3\u003e\u003cstrong\u003eThe dbx 286s is a full featured Channel Strip Processor that delivers a studio quality microphone\/instrument preamplifier and four processors that can be used independently or in any combination.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eWhy mic up vocals and instruments through a noisy, blurry mixer? The sonically pristine dbx 286s Mic Preamp has all the features you need, including wide-ranging input gain control, switchable +48V phantom power, and an 80Hz high-pass filter to remove low frequency hum, rumble or wind. Use the patented dbx OverEasy® compressor to transparently smooth out uneven acoustic tracks or deliver that classic \"in your face\" vocal performance that only a dbx compressor can. Eliminate vocal sibilance and high frequency distortion from instruments such as cymbals with the frequency tunable De-Esser. Fine-tune the Enhancer HF Detail control to add sparkle and crispness to your tracks and make adjustments to the LF Detail control to add fullness and depth to vocals and bass instruments while cleaning up the muddy low midrange frequencies. And, the separate threshold and ratio controls on the Expander\/Gate allow you to subtly reduce headphone leakage or radically gate noisy guitar amps.\u003c\/p\u003e\n\u003cp\u003eThe dbx 286s offers a full compliment of metering and status LEDs to visually guide you to achieving the right sound. The floating balanced XLR Mic Input accepts balanced or unbalanced inputs to easily connect to professional and home studio microphones. The additional 1\/4\" TRS Line Input can accept balanced\/unbalanced signals to process live electronic instruments or pre-recorded tracks at mixdown. Use the Insert jack to interface between the Mic Preamp and the signal processing sections to \"loop out\" to external processors (such as EQ or delay unit) or to mix the Mic Preamp's signal out to an external destination.\u003c\/p\u003e\n\u003cp\u003eThe cost and hassle of patching together multiple processors for use on one track can be frustrating. The dbx 286s provides you with all the mic processing you need in one box, with the shortest, cleanest signal path to keep your music sounding its best!\u003c\/p\u003e\n\u003ch3 class=\"content-nav\" data-magellan-destination=\"features\"\u003eFeatures\u003c\/h3\u003e\n\u003cdiv class=\"product_main_tab_content content \"\u003e\n\u003cul\u003e\n\u003cli class=\"features\"\u003eStudio quality Mic Preamp\/Channel Strip Processor\u003c\/li\u003e\n\u003cli class=\"features\"\u003eClassic dbx Compression puts great sound within easy reach\u003c\/li\u003e\n\u003cli class=\"features\"\u003eFrequency tunable De-Esser reduces sibilance and high frequency distortion\u003c\/li\u003e\n\u003cli class=\"features\"\u003eEnhancer increases the detail and definition of the high and low frequencies\u003c\/li\u003e\n\u003cli class=\"features\"\u003eProgram adaptive Expander\/Gate\u003c\/li\u003e\n\u003cli class=\"features\"\u003eInsert jack allows you to add an external processor\u003c\/li\u003e\n\u003cli class=\"features\"\u003eFull compliment of meters and status LEDs\u003c\/li\u003e\n\u003cli class=\"features\"\u003e+48V Phantom Power\u003c\/li\u003e\n\u003cli class=\"features\"\u003ePrecision detented controls\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5 class=\"features text-content\"\u003eTechnical Specs\u003cbr\u003e\u003cbr\u003e\n\u003c\/h5\u003e\n\u003ctable class=\"specs\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eMic Preamp Connector\u003c\/td\u003e\n\u003ctd\u003eXLR Floating balanced, Pin 2 Hot\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eMic Preamp Input Impedance\u003c\/td\u003e\n\u003ctd\u003e~4.2kΩ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eMic Preamp gain\u003c\/td\u003e\n\u003ctd\u003e0dB to +60dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eMic Preamp Phantom Power\u003c\/td\u003e\n\u003ctd\u003e+48VDC, applied to XLR pins 2 and 3 through 6.81kΩ resistors\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eCMRR\u003c\/td\u003e\n\u003ctd\u003e\u0026gt;40dB, typically 55dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eMic Preamp max input level\u003c\/td\u003e\n\u003ctd\u003e0.2Vrms, Gain = 30dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eMic Preamp Equivalent Input Noise (EIN)\u003c\/td\u003e\n\u003ctd\u003e-125dBu, 22Hz-22kHz, 150Ω source impedance\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eInput Connectors\u003c\/td\u003e\n\u003ctd\u003e(line) Floating balanced, TIP Hot\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eInput Impedance\u003c\/td\u003e\n\u003ctd\u003e(line) 10kΩ unbalanced, 20kΩ balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eMax Input\u003c\/td\u003e\n\u003ctd\u003e(line) \u0026gt;+21dBu, balanced or unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eInput Gain Range\u003c\/td\u003e\n\u003ctd\u003e(line) -15dB to +45 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eInsert Connector\u003c\/td\u003e\n\u003ctd\u003e1\/4\" TRS: Normalled; tip is Send, ring is Return\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eInsert Impedance\u003c\/td\u003e\n\u003ctd\u003e\u0026gt;5kΩ (ring-return); 100Ω (tip-send)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eInsert Max Level\u003c\/td\u003e\n\u003ctd\u003e\u0026gt;+21dBu; \u0026gt;+20dBm (600Ω load-tip)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eInsert Noise\u003c\/td\u003e\n\u003ctd\u003e\u0026lt;-84dBu, unweighted (20Hz-20kHz); LINE GAIN Control set to 0dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eInsert Distortion\u003c\/td\u003e\n\u003ctd\u003e\u0026lt;0.01% THD, 20Hz-20kHz, +10dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eOutput Connectors\u003c\/td\u003e\n\u003ctd\u003e1\/4\" Balanced\/Unbalanced TRS Connectors\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eOutput Impedance\u003c\/td\u003e\n\u003ctd\u003e100Ω unbalanced, 200Ω balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eMax Output\u003c\/td\u003e\n\u003ctd\u003e\u0026gt;+21dBu, \u0026gt;+20dBm (600Ω load)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eGain Adjustment Range\u003c\/td\u003e\n\u003ctd\u003e-30dB to +10dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eNoise\u003c\/td\u003e\n\u003ctd\u003e\u0026lt;-80dBu unweighted (20Hz-20kHz); Both Gain Controls set for 0dB, all processing controls OFF\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003e20Hz to 20kHz, +0.5, -0.5dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eTHD\u003c\/td\u003e\n\u003ctd\u003e\u0026lt;0.08%THD, 20Hz-20kHz, +10dBu, all Processing Controls OFF\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eCompressor Threshold Range\u003c\/td\u003e\n\u003ctd\u003e-40dBu to +20dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eCompressor Threshold Characteristic\u003c\/td\u003e\n\u003ctd\u003eOverEasy®\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eCompressor Ratio\u003c\/td\u003e\n\u003ctd\u003e\u0026gt;4:1 For input levels beyond 20dB above threshold\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eMax Compression\u003c\/td\u003e\n\u003ctd\u003e30dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eCompressor Attack Time\u003c\/td\u003e\n\u003ctd\u003eProgram-Dependent; \u0026gt;1s for small level increases, down to 10ms for larage increases\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eCompressor Release Time\u003c\/td\u003e\n\u003ctd\u003eProgram-Dependent; adjustable between approximately 1dB\/sec and 75dB\/sec\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eCompressor Distortion\u003c\/td\u003e\n\u003ctd\u003eTypically \u0026lt;0.05%THD, 20Hz-20kHz, 15dB G\/R, +10dBu Output, DENSITY @ 0\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eIMD\u003c\/td\u003e\n\u003ctd\u003eSMPTE: \u0026lt;0.05%; 60Hz\/7kHz 4:1, 15dB G\/R, +10dBu Output Level, DENSITY @ 0\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eDe-esser Characteristic\u003c\/td\u003e\n\u003ctd\u003eWideband Gain Reduction\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eDe-esser Frequency Range\u003c\/td\u003e\n\u003ctd\u003e800Hz to 10kHz High Pass, 12dB\/octave\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eDe-esser Release Time\u003c\/td\u003e\n\u003ctd\u003e12dB\/octave Program-Dependent; approximately 1mS\/dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eEnhancer HF Detail Characteristic\u003c\/td\u003e\n\u003ctd\u003eProgram-controlled shelving equalizer, approximately 15dB maximum HF boost\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eEnhancer LF Detail Characteristic\u003c\/td\u003e\n\u003ctd\u003eBell-shaped boost @ 80Hz, bell-shaped cut @250Hz, ratio is approximately 2:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eExpander\/Gate Threshold Range\u003c\/td\u003e\n\u003ctd\u003eOFF to +15dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eExpander\/Gate Ratio\u003c\/td\u003e\n\u003ctd\u003eAdjustable 1.5:1 to 10:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eExpander\/Gate Max Depth\u003c\/td\u003e\n\u003ctd\u003e\u0026gt;50dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eExpander\/Gate Attack Time\u003c\/td\u003e\n\u003ctd\u003eProgram-Dependent, approximately 2mS (at maximum attenuation)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eExpander\/Gate Release Time\u003c\/td\u003e\n\u003ctd\u003eProgram-Dependent, approxiamtely 10mS\/dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eExpander\/Gate Dynamic Range\u003c\/td\u003e\n\u003ctd\u003eTypically 105dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003ePower Consumption\u003c\/td\u003e\n\u003ctd\u003e15W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eOperating Voltage\u003c\/td\u003e\n\u003ctd\u003eDO: 120VAC 60Hz, 100VAC 50\/60Hz; EU: 230VAC 50\/60Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eOperating Temperature\u003c\/td\u003e\n\u003ctd\u003e0°C to 45°C (32°F to 113°F)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eDimensions\u003c\/td\u003e\n\u003ctd\u003e1.75\" x 5.75\" x 19\" (4.5cm x 14.6cm x 48.5cm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch5 class=\"features text-content\"\u003e \u003c\/h5\u003e\n\u003c\/div\u003e","published_at":"2018-02-13T18:46:52+02:00","created_at":"2018-02-13T18:52:39+02:00","vendor":"dbx","type":"Microphone Preamps","tags":["Brand_dbx"],"price":399500,"price_min":399500,"price_max":399500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7744803307548,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"DBXP-286S","requires_shipping":true,"taxable":false,"featured_image":null,"available":false,"name":"dbx 286s 1 Channel Strip w\/ Compressor \/ Expander \/ Gate \/ De-esser","public_title":null,"options":["Default Title"],"price":399500,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/dbx-microphone-preamps-dbx-286s-1-channel-strip-w-compressor-expander-gate-de-esser-2217834512412.jpg?v=1552814371","\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/dbx-microphone-preamps-dbx-286s-1-channel-strip-w-compressor-expander-gate-de-esser-2217834577948.jpg?v=1552814371","\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/dbx-microphone-preamps-dbx-286s-1-channel-strip-w-compressor-expander-gate-de-esser-2217834643484.jpg?v=1552814371"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/dbx-microphone-preamps-dbx-286s-1-channel-strip-w-compressor-expander-gate-de-esser-2217834512412.jpg?v=1552814371","options":["Title"],"content":"\u003ch5\u003eOverview\u003c\/h5\u003e\n\u003ch3\u003e\u003cstrong\u003eThe dbx 286s is a full featured Channel Strip Processor that delivers a studio quality microphone\/instrument preamplifier and four processors that can be used independently or in any combination.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eWhy mic up vocals and instruments through a noisy, blurry mixer? The sonically pristine dbx 286s Mic Preamp has all the features you need, including wide-ranging input gain control, switchable +48V phantom power, and an 80Hz high-pass filter to remove low frequency hum, rumble or wind. Use the patented dbx OverEasy® compressor to transparently smooth out uneven acoustic tracks or deliver that classic \"in your face\" vocal performance that only a dbx compressor can. Eliminate vocal sibilance and high frequency distortion from instruments such as cymbals with the frequency tunable De-Esser. Fine-tune the Enhancer HF Detail control to add sparkle and crispness to your tracks and make adjustments to the LF Detail control to add fullness and depth to vocals and bass instruments while cleaning up the muddy low midrange frequencies. And, the separate threshold and ratio controls on the Expander\/Gate allow you to subtly reduce headphone leakage or radically gate noisy guitar amps.\u003c\/p\u003e\n\u003cp\u003eThe dbx 286s offers a full compliment of metering and status LEDs to visually guide you to achieving the right sound. The floating balanced XLR Mic Input accepts balanced or unbalanced inputs to easily connect to professional and home studio microphones. The additional 1\/4\" TRS Line Input can accept balanced\/unbalanced signals to process live electronic instruments or pre-recorded tracks at mixdown. Use the Insert jack to interface between the Mic Preamp and the signal processing sections to \"loop out\" to external processors (such as EQ or delay unit) or to mix the Mic Preamp's signal out to an external destination.\u003c\/p\u003e\n\u003cp\u003eThe cost and hassle of patching together multiple processors for use on one track can be frustrating. The dbx 286s provides you with all the mic processing you need in one box, with the shortest, cleanest signal path to keep your music sounding its best!\u003c\/p\u003e\n\u003ch3 class=\"content-nav\" data-magellan-destination=\"features\"\u003eFeatures\u003c\/h3\u003e\n\u003cdiv class=\"product_main_tab_content content \"\u003e\n\u003cul\u003e\n\u003cli class=\"features\"\u003eStudio quality Mic Preamp\/Channel Strip Processor\u003c\/li\u003e\n\u003cli class=\"features\"\u003eClassic dbx Compression puts great sound within easy reach\u003c\/li\u003e\n\u003cli class=\"features\"\u003eFrequency tunable De-Esser reduces sibilance and high frequency distortion\u003c\/li\u003e\n\u003cli class=\"features\"\u003eEnhancer increases the detail and definition of the high and low frequencies\u003c\/li\u003e\n\u003cli class=\"features\"\u003eProgram adaptive Expander\/Gate\u003c\/li\u003e\n\u003cli class=\"features\"\u003eInsert jack allows you to add an external processor\u003c\/li\u003e\n\u003cli class=\"features\"\u003eFull compliment of meters and status LEDs\u003c\/li\u003e\n\u003cli class=\"features\"\u003e+48V Phantom Power\u003c\/li\u003e\n\u003cli class=\"features\"\u003ePrecision detented controls\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5 class=\"features text-content\"\u003eTechnical Specs\u003cbr\u003e\u003cbr\u003e\n\u003c\/h5\u003e\n\u003ctable class=\"specs\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eMic Preamp Connector\u003c\/td\u003e\n\u003ctd\u003eXLR Floating balanced, Pin 2 Hot\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eMic Preamp Input Impedance\u003c\/td\u003e\n\u003ctd\u003e~4.2kΩ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eMic Preamp gain\u003c\/td\u003e\n\u003ctd\u003e0dB to +60dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eMic Preamp Phantom Power\u003c\/td\u003e\n\u003ctd\u003e+48VDC, applied to XLR pins 2 and 3 through 6.81kΩ resistors\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eCMRR\u003c\/td\u003e\n\u003ctd\u003e\u0026gt;40dB, typically 55dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eMic Preamp max input level\u003c\/td\u003e\n\u003ctd\u003e0.2Vrms, Gain = 30dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eMic Preamp Equivalent Input Noise (EIN)\u003c\/td\u003e\n\u003ctd\u003e-125dBu, 22Hz-22kHz, 150Ω source impedance\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eInput Connectors\u003c\/td\u003e\n\u003ctd\u003e(line) Floating balanced, TIP Hot\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eInput Impedance\u003c\/td\u003e\n\u003ctd\u003e(line) 10kΩ unbalanced, 20kΩ balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eMax Input\u003c\/td\u003e\n\u003ctd\u003e(line) \u0026gt;+21dBu, balanced or unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eInput Gain Range\u003c\/td\u003e\n\u003ctd\u003e(line) -15dB to +45 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eInsert Connector\u003c\/td\u003e\n\u003ctd\u003e1\/4\" TRS: Normalled; tip is Send, ring is Return\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eInsert Impedance\u003c\/td\u003e\n\u003ctd\u003e\u0026gt;5kΩ (ring-return); 100Ω (tip-send)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eInsert Max Level\u003c\/td\u003e\n\u003ctd\u003e\u0026gt;+21dBu; \u0026gt;+20dBm (600Ω load-tip)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eInsert Noise\u003c\/td\u003e\n\u003ctd\u003e\u0026lt;-84dBu, unweighted (20Hz-20kHz); LINE GAIN Control set to 0dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eInsert Distortion\u003c\/td\u003e\n\u003ctd\u003e\u0026lt;0.01% THD, 20Hz-20kHz, +10dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eOutput Connectors\u003c\/td\u003e\n\u003ctd\u003e1\/4\" Balanced\/Unbalanced TRS Connectors\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eOutput Impedance\u003c\/td\u003e\n\u003ctd\u003e100Ω unbalanced, 200Ω balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eMax Output\u003c\/td\u003e\n\u003ctd\u003e\u0026gt;+21dBu, \u0026gt;+20dBm (600Ω load)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eGain Adjustment Range\u003c\/td\u003e\n\u003ctd\u003e-30dB to +10dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eNoise\u003c\/td\u003e\n\u003ctd\u003e\u0026lt;-80dBu unweighted (20Hz-20kHz); Both Gain Controls set for 0dB, all processing controls OFF\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eFrequency Response\u003c\/td\u003e\n\u003ctd\u003e20Hz to 20kHz, +0.5, -0.5dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eTHD\u003c\/td\u003e\n\u003ctd\u003e\u0026lt;0.08%THD, 20Hz-20kHz, +10dBu, all Processing Controls OFF\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eCompressor Threshold Range\u003c\/td\u003e\n\u003ctd\u003e-40dBu to +20dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eCompressor Threshold Characteristic\u003c\/td\u003e\n\u003ctd\u003eOverEasy®\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eCompressor Ratio\u003c\/td\u003e\n\u003ctd\u003e\u0026gt;4:1 For input levels beyond 20dB above threshold\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eMax Compression\u003c\/td\u003e\n\u003ctd\u003e30dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eCompressor Attack Time\u003c\/td\u003e\n\u003ctd\u003eProgram-Dependent; \u0026gt;1s for small level increases, down to 10ms for larage increases\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eCompressor Release Time\u003c\/td\u003e\n\u003ctd\u003eProgram-Dependent; adjustable between approximately 1dB\/sec and 75dB\/sec\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eCompressor Distortion\u003c\/td\u003e\n\u003ctd\u003eTypically \u0026lt;0.05%THD, 20Hz-20kHz, 15dB G\/R, +10dBu Output, DENSITY @ 0\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eIMD\u003c\/td\u003e\n\u003ctd\u003eSMPTE: \u0026lt;0.05%; 60Hz\/7kHz 4:1, 15dB G\/R, +10dBu Output Level, DENSITY @ 0\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eDe-esser Characteristic\u003c\/td\u003e\n\u003ctd\u003eWideband Gain Reduction\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eDe-esser Frequency Range\u003c\/td\u003e\n\u003ctd\u003e800Hz to 10kHz High Pass, 12dB\/octave\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eDe-esser Release Time\u003c\/td\u003e\n\u003ctd\u003e12dB\/octave Program-Dependent; approximately 1mS\/dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eEnhancer HF Detail Characteristic\u003c\/td\u003e\n\u003ctd\u003eProgram-controlled shelving equalizer, approximately 15dB maximum HF boost\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eEnhancer LF Detail Characteristic\u003c\/td\u003e\n\u003ctd\u003eBell-shaped boost @ 80Hz, bell-shaped cut @250Hz, ratio is approximately 2:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eExpander\/Gate Threshold Range\u003c\/td\u003e\n\u003ctd\u003eOFF to +15dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eExpander\/Gate Ratio\u003c\/td\u003e\n\u003ctd\u003eAdjustable 1.5:1 to 10:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eExpander\/Gate Max Depth\u003c\/td\u003e\n\u003ctd\u003e\u0026gt;50dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eExpander\/Gate Attack Time\u003c\/td\u003e\n\u003ctd\u003eProgram-Dependent, approximately 2mS (at maximum attenuation)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eExpander\/Gate Release Time\u003c\/td\u003e\n\u003ctd\u003eProgram-Dependent, approxiamtely 10mS\/dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eExpander\/Gate Dynamic Range\u003c\/td\u003e\n\u003ctd\u003eTypically 105dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003ePower Consumption\u003c\/td\u003e\n\u003ctd\u003e15W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eOperating Voltage\u003c\/td\u003e\n\u003ctd\u003eDO: 120VAC 60Hz, 100VAC 50\/60Hz; EU: 230VAC 50\/60Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eOperating Temperature\u003c\/td\u003e\n\u003ctd\u003e0°C to 45°C (32°F to 113°F)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"name\"\u003eDimensions\u003c\/td\u003e\n\u003ctd\u003e1.75\" x 5.75\" x 19\" (4.5cm x 14.6cm x 48.5cm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch5 class=\"features text-content\"\u003e \u003c\/h5\u003e\n\u003c\/div\u003e"}
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Quick View {"id":642509996060,"title":"Audient ASP800","handle":"audient-asp800","description":"\u003ch5\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/gQYPB6AkQMA\" width=\"854\" height=\"480\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/h5\u003e\n\u003ch3\u003e\u003cstrong\u003eThe Audient ASP800 is an 8-channel microphone preamplifier \u0026amp; ADC that will transform your sessions into world class recordings, the perfect addition to your set-up.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eASP880 provides eight of Audient's renowned console mic pres, pristine converter technology and a versatile feature set that includes Variable Impedance and Variable High Pass Filters. All in a 1RU rack!\u003c\/p\u003e\n\u003ch3\u003eAudient Console Mic Pres, The professional sound you deserve\u003c\/h3\u003e\n\u003cp\u003eWe are the only company that use the same Class-A mic pre design throughout our entire product range, whether you’re in the studio with an Audient console or on the road with ASP880, you’re always guaranteed the same world class Audient sound.\u003c\/p\u003e\n\u003ch3\u003ePristine Converter Technology, Brilliance on the inside enables brilliance on the outside\u003c\/h3\u003e\n\u003cp\u003eASP880 provides you with the highest grade converters from Burr Brown, the leaders in converter technology. The integral ADC guarantees you will have the best conversion possible. This isn't just the best converter in a mic pre either, it stands up against dedicated converters too. Focus on the music and let ASP880 take care of the rest.\u003c\/p\u003e\n\u003ch3\u003ePlug And Play, Plug in and be inspired\u003c\/h3\u003e\n\u003cp\u003eAs well as offering you 8 channels of Audient mic pre, ASP880 has two harmonically rich JFET D.I inputs. Designed to replicate the input stage of a classic valve amplifier, you can plug your guitar, bass, keyboard or drum machine straight in and start recording instantly.\u003c\/p\u003e\n\u003ch3\u003eVARIABLE IMPEDANCE, Get the best from your microphones\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eIf you’re partial to the character of ribbon mics, then ASP880 is made for you. Variable impedance allows you to match the pre to your favourite ribbon mic. Retain the punch and frequency response the mic was born with. It also works on your other mics, just more subtly.\u003c\/p\u003e\n\u003ch3\u003eVARIABLE HIGH PASS FILTER, Quickly remove unwanted low frequencies\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eGet it right at the source and lose those unwanted low frequencies with a simple to use variable high-pass filter.  Take control of low end rumble, reduce proximity effect and more by quickly sweeping anywhere between 25Hz and 250Hz. The result is a clean, ready to record signal.\u003c\/p\u003e\n\u003ch3\u003eBuilt To Last, Quality deserves protection\u003c\/h3\u003e\n\u003cp\u003eASP880 has been designed to last, its all-metal construction and hand milled aluminium knobs will stand up to countless late nights in the studio and days on the road. All this in 1RU!\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/NhIDe_bgcws\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e8 x Class-A Audient Console Mic Preamplifiers\u003c\/li\u003e\n\u003cli\u003eHigh Performance Burr Brown AD Converters\u003c\/li\u003e\n\u003cli\u003eVariable Input Impedance\u003c\/li\u003e\n\u003cli\u003eVariable High Pass Filters\u003c\/li\u003e\n\u003cli\u003e2 x Discrete JFET Instrument Inputs\u003c\/li\u003e\n\u003cli\u003e8 x Insert points (between the mic preamps and AD converters)\u003c\/li\u003e\n\u003cli\u003eDigital Outputs - ADAT, AES \u0026amp; S\/PDIF\u003c\/li\u003e\n\u003cli\u003eAll-Metal Enclosure\u003c\/li\u003e\n\u003cli\u003eOver £500 worth of plugins and software with ARC\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eSpecs\u003c\/h5\u003e\n\u003ch4\u003eMICROPHONE PREAMPLIFIERS:\u003c\/h4\u003e\n\u003cp\u003e(measured to insert send)\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eMIC GAIN:\u003c\/td\u003e\n\u003ctd\u003e-10 to +60dB (-10dB Pad)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLINE GAIN:\u003c\/td\u003e\n\u003ctd\u003e-16 to +44dB (-10dB Pad)*\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePHANTOM POWER:\u003c\/td\u003e\n\u003ctd\u003e48v +\/-4v @ 10mA\/Channel\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMIC EIN:\u003c\/td\u003e\n\u003ctd\u003e\u0026lt;-127.5dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCMRR:\u003c\/td\u003e\n\u003ctd\u003e\u0026gt;80dB @ 100 to 10kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMAXIMUM INPUT LEVEL:\u003c\/td\u003e\n\u003ctd\u003e+22dBu (+32dBu with Pad)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eINPUT IMPEDANCE:\u003c\/td\u003e\n\u003ctd\u003eMic LO: 220Ω Balanced\u003cbr\u003eMic MED: 1k2Ω Balanced\u003cbr\u003eMic HI: 2k8Ω Balanced\u003cbr\u003eLine (All Z): \u0026gt;6kΩ Balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFREQUENCY RESPONSE:\u003c\/td\u003e\n\u003ctd\u003e+\/-0.5dB 10Hz to 100kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCROSSTALK:\u003c\/td\u003e\n\u003ctd\u003e\u0026lt;-85dBu @ 1kHz \u0026amp; 10kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTHD+N @ 0dBu (1kHz):\u003c\/td\u003e\n\u003ctd\u003e0.003% (-90.5dBu)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSNR:\u003c\/td\u003e\n\u003ctd\u003e\u0026gt;90dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHPF:\u003c\/td\u003e\n\u003ctd\u003eSweepable from 25Hz to 250 Hz, 2nd Order (12dB\/Octave)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eXLR:\u003c\/td\u003e\n\u003ctd\u003ePin 2 (Hot), Pin 3 (Cold) \u0026amp; Pin 1 (Shield)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1\/4” JACK:\u003c\/td\u003e\n\u003ctd\u003eTIP (Hot), RING (Cold) \u0026amp; SLEEVE (Shield)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cbr\u003e* Line input level at the combi jacks will be affected by the input impedance switch position, this can be used as a second pad control to adjust line input ranges on all channels.\u003c\/p\u003e\n\u003ch4\u003eDISCRETE JFET D.I (Channels 1 \u0026amp; 2):\u003c\/h4\u003e\n\u003cp\u003e(measured to line outputs \/ insert send)\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eD.I GAIN:\u003c\/td\u003e\n\u003ctd\u003e-10 to +60 dB (-10dB Pad)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMAXIMUM INPUT LEVEL:\u003c\/td\u003e\n\u003ctd\u003e+16dBu (typical), +22dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eINPUT IMPEDANCE:\u003c\/td\u003e\n\u003ctd\u003e1MegΩ Unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFREQUENCY RESPONSE:\u003c\/td\u003e\n\u003ctd\u003e+\/-0.5dB 10Hz to 50kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTHD+N @ 0dBu (1kHz):\u003c\/td\u003e\n\u003ctd\u003e\u0026lt;0.03% (-70dBu)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSNR:\u003c\/td\u003e\n\u003ctd\u003e89dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e1\/4” JACK:\u003c\/td\u003e\n\u003ctd\u003eTIP (Hot) \u0026amp; SLEEVE (Shield)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eLINE OUTPUTS (Insert Sends):\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eMAXIMUM OUTPUT LEVEL:\u003c\/td\u003e\n\u003ctd\u003e+27.5dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOUTPUT IMPEDANCE:\u003c\/td\u003e\n\u003ctd\u003e\u0026lt;100Ω Balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch4\u003eADC LINE INPUTS (Insert Returns):\u003c\/h4\u003e\n\u003cp\u003e(measured at optical output under AES-17)\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eMAXIMUM INPUT LEVEL:\u003c\/td\u003e\n\u003ctd\u003e+18dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDIGITAL REFERENCE LEVEL:\u003c\/td\u003e\n\u003ctd\u003e0dBFS = +18dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eINPUT IMPEDANCE:\u003c\/td\u003e\n\u003ctd\u003e\u0026gt;10kΩ Balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFREQUENCY RESPONSE:\u003c\/td\u003e\n\u003ctd\u003e+\/-0.5dB 10Hz to Fs\/2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCROSSTALK:\u003c\/td\u003e\n\u003ctd\u003e\u0026lt;-80dBu @ 1kHz \u0026amp; 10kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTHD+N @ -1dBFS (1kHz):\u003c\/td\u003e\n\u003ctd\u003e\u0026lt;0.002% (-94dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTHD+N @ -6dBFS (1kHz):\u003c\/td\u003e\n\u003ctd\u003e\u0026lt;0.002% (-94dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDYNAMIC RANGE:\u003c\/td\u003e\n\u003ctd\u003e113dB un-weighted\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e115dB A-weighted\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePEAK LED LINEUP:\u003c\/td\u003e\n\u003ctd\u003e+16dBu (-2dBFS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSIGNAL LED LINEUP:\u003c\/td\u003e\n\u003ctd\u003eVariable Brightness from -30dBu to -10dBu (-28dBFS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch4\u003eDIGITAL i\/o:\u003c\/h4\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eADAT 8 CHANNELS SMUX:\u003c\/td\u003e\n\u003ctd\u003e44.1 - 96kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAES | S\/PDIF 8 CHANNELS:\u003c\/td\u003e\n\u003ctd\u003e44.1 - 96kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCLOCK\u003c\/td\u003e\n\u003ctd\u003eInternal or External\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWORLDCLOCK INPUT\u003c\/td\u003e\n\u003ctd\u003e75Ω BNC\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eOptional 75Ω Termination\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003ePOWER SUPPLY:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHigh stability, low noise internal SMPS\u003c\/li\u003e\n\u003cli\u003eFanless, quiet operation\u003c\/li\u003e\n\u003cli\u003eWorks anywhere in the world without reconfiguring\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eLINE VOLTAGES:\u003c\/td\u003e\n\u003ctd\u003e90 to 264V (a.c)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eINTERNAL RAILS:\u003c\/td\u003e\n\u003ctd\u003e+\/-18VDC, +48VDC \u0026amp; +5VDC\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFUSE:\u003c\/td\u003e\n\u003ctd\u003eT1A (1Amp Time Delay)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCONSUMPTION:\u003c\/td\u003e\n\u003ctd\u003eMaximum 40 Watts\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch4\u003eWEIGHT:\u003c\/h4\u003e\n\u003cp\u003e4.0kg\u003c\/p\u003e","published_at":"2018-08-23T14:21:58+02:00","created_at":"2018-02-11T13:03:39+02:00","vendor":"Audient","type":"Microphone Preamps","tags":["Brand_Audient"],"price":1599500,"price_min":1599500,"price_max":1599500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7721461153820,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"ADNT-ASP880","requires_shipping":true,"taxable":false,"featured_image":null,"available":false,"name":"Audient ASP800","public_title":null,"options":["Default Title"],"price":1599500,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/audient-microphone-preamps-audient-asp800-2202117931036.jpg?v=1552764816","\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/audient-microphone-preamps-audient-asp800-2202118029340.jpg?v=1552764816","\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/audient-microphone-preamps-audient-asp800-2202118094876.jpg?v=1552764816"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/audient-microphone-preamps-audient-asp800-2202117931036.jpg?v=1552764816","options":["Title"],"content":"\u003ch5\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/gQYPB6AkQMA\" width=\"854\" height=\"480\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/h5\u003e\n\u003ch3\u003e\u003cstrong\u003eThe Audient ASP800 is an 8-channel microphone preamplifier \u0026amp; ADC that will transform your sessions into world class recordings, the perfect addition to your set-up.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eASP880 provides eight of Audient's renowned console mic pres, pristine converter technology and a versatile feature set that includes Variable Impedance and Variable High Pass Filters. All in a 1RU rack!\u003c\/p\u003e\n\u003ch3\u003eAudient Console Mic Pres, The professional sound you deserve\u003c\/h3\u003e\n\u003cp\u003eWe are the only company that use the same Class-A mic pre design throughout our entire product range, whether you’re in the studio with an Audient console or on the road with ASP880, you’re always guaranteed the same world class Audient sound.\u003c\/p\u003e\n\u003ch3\u003ePristine Converter Technology, Brilliance on the inside enables brilliance on the outside\u003c\/h3\u003e\n\u003cp\u003eASP880 provides you with the highest grade converters from Burr Brown, the leaders in converter technology. The integral ADC guarantees you will have the best conversion possible. This isn't just the best converter in a mic pre either, it stands up against dedicated converters too. Focus on the music and let ASP880 take care of the rest.\u003c\/p\u003e\n\u003ch3\u003ePlug And Play, Plug in and be inspired\u003c\/h3\u003e\n\u003cp\u003eAs well as offering you 8 channels of Audient mic pre, ASP880 has two harmonically rich JFET D.I inputs. Designed to replicate the input stage of a classic valve amplifier, you can plug your guitar, bass, keyboard or drum machine straight in and start recording instantly.\u003c\/p\u003e\n\u003ch3\u003eVARIABLE IMPEDANCE, Get the best from your microphones\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eIf you’re partial to the character of ribbon mics, then ASP880 is made for you. Variable impedance allows you to match the pre to your favourite ribbon mic. Retain the punch and frequency response the mic was born with. It also works on your other mics, just more subtly.\u003c\/p\u003e\n\u003ch3\u003eVARIABLE HIGH PASS FILTER, Quickly remove unwanted low frequencies\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eGet it right at the source and lose those unwanted low frequencies with a simple to use variable high-pass filter.  Take control of low end rumble, reduce proximity effect and more by quickly sweeping anywhere between 25Hz and 250Hz. The result is a clean, ready to record signal.\u003c\/p\u003e\n\u003ch3\u003eBuilt To Last, Quality deserves protection\u003c\/h3\u003e\n\u003cp\u003eASP880 has been designed to last, its all-metal construction and hand milled aluminium knobs will stand up to countless late nights in the studio and days on the road. All this in 1RU!\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/NhIDe_bgcws\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e8 x Class-A Audient Console Mic Preamplifiers\u003c\/li\u003e\n\u003cli\u003eHigh Performance Burr Brown AD Converters\u003c\/li\u003e\n\u003cli\u003eVariable Input Impedance\u003c\/li\u003e\n\u003cli\u003eVariable High Pass Filters\u003c\/li\u003e\n\u003cli\u003e2 x Discrete JFET Instrument Inputs\u003c\/li\u003e\n\u003cli\u003e8 x Insert points (between the mic preamps and AD converters)\u003c\/li\u003e\n\u003cli\u003eDigital Outputs - ADAT, AES \u0026amp; S\/PDIF\u003c\/li\u003e\n\u003cli\u003eAll-Metal Enclosure\u003c\/li\u003e\n\u003cli\u003eOver £500 worth of plugins and software with ARC\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eSpecs\u003c\/h5\u003e\n\u003ch4\u003eMICROPHONE PREAMPLIFIERS:\u003c\/h4\u003e\n\u003cp\u003e(measured to insert send)\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eMIC GAIN:\u003c\/td\u003e\n\u003ctd\u003e-10 to +60dB (-10dB Pad)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLINE GAIN:\u003c\/td\u003e\n\u003ctd\u003e-16 to +44dB (-10dB Pad)*\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePHANTOM POWER:\u003c\/td\u003e\n\u003ctd\u003e48v +\/-4v @ 10mA\/Channel\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMIC EIN:\u003c\/td\u003e\n\u003ctd\u003e\u0026lt;-127.5dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCMRR:\u003c\/td\u003e\n\u003ctd\u003e\u0026gt;80dB @ 100 to 10kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMAXIMUM INPUT LEVEL:\u003c\/td\u003e\n\u003ctd\u003e+22dBu (+32dBu with Pad)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eINPUT IMPEDANCE:\u003c\/td\u003e\n\u003ctd\u003eMic LO: 220Ω Balanced\u003cbr\u003eMic MED: 1k2Ω Balanced\u003cbr\u003eMic HI: 2k8Ω Balanced\u003cbr\u003eLine (All Z): \u0026gt;6kΩ Balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFREQUENCY RESPONSE:\u003c\/td\u003e\n\u003ctd\u003e+\/-0.5dB 10Hz to 100kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCROSSTALK:\u003c\/td\u003e\n\u003ctd\u003e\u0026lt;-85dBu @ 1kHz \u0026amp; 10kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTHD+N @ 0dBu (1kHz):\u003c\/td\u003e\n\u003ctd\u003e0.003% (-90.5dBu)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSNR:\u003c\/td\u003e\n\u003ctd\u003e\u0026gt;90dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHPF:\u003c\/td\u003e\n\u003ctd\u003eSweepable from 25Hz to 250 Hz, 2nd Order (12dB\/Octave)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eXLR:\u003c\/td\u003e\n\u003ctd\u003ePin 2 (Hot), Pin 3 (Cold) \u0026amp; Pin 1 (Shield)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1\/4” JACK:\u003c\/td\u003e\n\u003ctd\u003eTIP (Hot), RING (Cold) \u0026amp; SLEEVE (Shield)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cbr\u003e* Line input level at the combi jacks will be affected by the input impedance switch position, this can be used as a second pad control to adjust line input ranges on all channels.\u003c\/p\u003e\n\u003ch4\u003eDISCRETE JFET D.I (Channels 1 \u0026amp; 2):\u003c\/h4\u003e\n\u003cp\u003e(measured to line outputs \/ insert send)\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eD.I GAIN:\u003c\/td\u003e\n\u003ctd\u003e-10 to +60 dB (-10dB Pad)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMAXIMUM INPUT LEVEL:\u003c\/td\u003e\n\u003ctd\u003e+16dBu (typical), +22dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eINPUT IMPEDANCE:\u003c\/td\u003e\n\u003ctd\u003e1MegΩ Unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFREQUENCY RESPONSE:\u003c\/td\u003e\n\u003ctd\u003e+\/-0.5dB 10Hz to 50kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTHD+N @ 0dBu (1kHz):\u003c\/td\u003e\n\u003ctd\u003e\u0026lt;0.03% (-70dBu)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSNR:\u003c\/td\u003e\n\u003ctd\u003e89dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e1\/4” JACK:\u003c\/td\u003e\n\u003ctd\u003eTIP (Hot) \u0026amp; SLEEVE (Shield)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eLINE OUTPUTS (Insert Sends):\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eMAXIMUM OUTPUT LEVEL:\u003c\/td\u003e\n\u003ctd\u003e+27.5dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOUTPUT IMPEDANCE:\u003c\/td\u003e\n\u003ctd\u003e\u0026lt;100Ω Balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch4\u003eADC LINE INPUTS (Insert Returns):\u003c\/h4\u003e\n\u003cp\u003e(measured at optical output under AES-17)\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eMAXIMUM INPUT LEVEL:\u003c\/td\u003e\n\u003ctd\u003e+18dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDIGITAL REFERENCE LEVEL:\u003c\/td\u003e\n\u003ctd\u003e0dBFS = +18dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eINPUT IMPEDANCE:\u003c\/td\u003e\n\u003ctd\u003e\u0026gt;10kΩ Balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFREQUENCY RESPONSE:\u003c\/td\u003e\n\u003ctd\u003e+\/-0.5dB 10Hz to Fs\/2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCROSSTALK:\u003c\/td\u003e\n\u003ctd\u003e\u0026lt;-80dBu @ 1kHz \u0026amp; 10kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTHD+N @ -1dBFS (1kHz):\u003c\/td\u003e\n\u003ctd\u003e\u0026lt;0.002% (-94dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTHD+N @ -6dBFS (1kHz):\u003c\/td\u003e\n\u003ctd\u003e\u0026lt;0.002% (-94dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDYNAMIC RANGE:\u003c\/td\u003e\n\u003ctd\u003e113dB un-weighted\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e115dB A-weighted\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePEAK LED LINEUP:\u003c\/td\u003e\n\u003ctd\u003e+16dBu (-2dBFS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSIGNAL LED LINEUP:\u003c\/td\u003e\n\u003ctd\u003eVariable Brightness from -30dBu to -10dBu (-28dBFS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch4\u003eDIGITAL i\/o:\u003c\/h4\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eADAT 8 CHANNELS SMUX:\u003c\/td\u003e\n\u003ctd\u003e44.1 - 96kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAES | S\/PDIF 8 CHANNELS:\u003c\/td\u003e\n\u003ctd\u003e44.1 - 96kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCLOCK\u003c\/td\u003e\n\u003ctd\u003eInternal or External\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWORLDCLOCK INPUT\u003c\/td\u003e\n\u003ctd\u003e75Ω BNC\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eOptional 75Ω Termination\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003ePOWER SUPPLY:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHigh stability, low noise internal SMPS\u003c\/li\u003e\n\u003cli\u003eFanless, quiet operation\u003c\/li\u003e\n\u003cli\u003eWorks anywhere in the world without reconfiguring\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eLINE VOLTAGES:\u003c\/td\u003e\n\u003ctd\u003e90 to 264V (a.c)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eINTERNAL RAILS:\u003c\/td\u003e\n\u003ctd\u003e+\/-18VDC, +48VDC \u0026amp; +5VDC\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFUSE:\u003c\/td\u003e\n\u003ctd\u003eT1A (1Amp Time Delay)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCONSUMPTION:\u003c\/td\u003e\n\u003ctd\u003eMaximum 40 Watts\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch4\u003eWEIGHT:\u003c\/h4\u003e\n\u003cp\u003e4.0kg\u003c\/p\u003e"}
R 0.00
Quick View {"id":642503639068,"title":"Universal Audio 2-610S Silverface","handle":"universal-audio-2-610s","description":"\u003ch5\u003eOverview\u003c\/h5\u003e\n\u003ch3\u003e\u003cstrong\u003eUniversal Audio 2-610S. Dual-channel tube preamp based on the legendary UA 610 modular console.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eDesigned by Bill Putnam Sr., the UA 610 modular console is arguably the “Holy Grail” of vintage tube desks. Leaving its imprint on countless classic recordings from Ray Charles and Frank Sinatra, to iconic titles like \u003cem\u003eVan Halen\u003c\/em\u003e and the Beach Boys’ \u003cem\u003ePet Sounds\u003c\/em\u003e, the 610’s tube-powered mic preamp and EQ gave anything run through it startling three-dimensional warmth, presence, and body.\u003cbr\u003e\u003cbr\u003eThe 2-610 Dual Channel Tube Preamplifier gives you two channels of this legendary piece of music history. Whether you’re running pure analog or enhancing a digital audio workstation, the 2-610 brings classic tube character to any recording project.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRecord with an all-tube, dual-channel preamp derived from the Bill Putnam-designed 610 modular console\u003c\/li\u003e\n\u003cli\u003eHigh and Low shelving EQ for ultra-musical tone shaping\u003c\/li\u003e\n\u003cli\u003eAdd tube warmth and saturation with Variable impedance Input, Gain, and Output level controls\u003c\/li\u003e\n\u003cli\u003eTrack through vintage UA, \"handmade in the USA,\" circuits\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eModern Features — Vintage Tone\u003c\/h3\u003e\n\u003cp\u003eThe 2-610 Dual Channel Tube Preamplifier builds on the foundation of the classic Putnam console by adding enhanced, user-requested features as well as a more modern workflow. Offering features such as extended top-end response and a -15 dB pad — as well as circuit tweaks for improved stability — the 2-610 preamp is perfect for any source and genre.\u003c\/p\u003e","published_at":"2018-08-23T16:35:01+02:00","created_at":"2018-02-11T12:48:12+02:00","vendor":"Universal Audio","type":"Microphone Preamps","tags":["Brand_Universal Audio"],"price":0,"price_min":0,"price_max":0,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7721410986012,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"UA2-610","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Universal Audio 2-610S Silverface","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/universal-audio-microphone-preamps-universal-audio-2-610s-silverface-2202078150684.jpg?v=1552784866","\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/universal-audio-microphone-preamps-universal-audio-2-610s-silverface-2202078314524.jpg?v=1552784866","\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/universal-audio-microphone-preamps-universal-audio-2-610s-silverface-2202078380060.jpg?v=1552784866"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/universal-audio-microphone-preamps-universal-audio-2-610s-silverface-2202078150684.jpg?v=1552784866","options":["Title"],"content":"\u003ch5\u003eOverview\u003c\/h5\u003e\n\u003ch3\u003e\u003cstrong\u003eUniversal Audio 2-610S. Dual-channel tube preamp based on the legendary UA 610 modular console.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eDesigned by Bill Putnam Sr., the UA 610 modular console is arguably the “Holy Grail” of vintage tube desks. Leaving its imprint on countless classic recordings from Ray Charles and Frank Sinatra, to iconic titles like \u003cem\u003eVan Halen\u003c\/em\u003e and the Beach Boys’ \u003cem\u003ePet Sounds\u003c\/em\u003e, the 610’s tube-powered mic preamp and EQ gave anything run through it startling three-dimensional warmth, presence, and body.\u003cbr\u003e\u003cbr\u003eThe 2-610 Dual Channel Tube Preamplifier gives you two channels of this legendary piece of music history. Whether you’re running pure analog or enhancing a digital audio workstation, the 2-610 brings classic tube character to any recording project.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRecord with an all-tube, dual-channel preamp derived from the Bill Putnam-designed 610 modular console\u003c\/li\u003e\n\u003cli\u003eHigh and Low shelving EQ for ultra-musical tone shaping\u003c\/li\u003e\n\u003cli\u003eAdd tube warmth and saturation with Variable impedance Input, Gain, and Output level controls\u003c\/li\u003e\n\u003cli\u003eTrack through vintage UA, \"handmade in the USA,\" circuits\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eModern Features — Vintage Tone\u003c\/h3\u003e\n\u003cp\u003eThe 2-610 Dual Channel Tube Preamplifier builds on the foundation of the classic Putnam console by adding enhanced, user-requested features as well as a more modern workflow. Offering features such as extended top-end response and a -15 dB pad — as well as circuit tweaks for improved stability — the 2-610 preamp is perfect for any source and genre.\u003c\/p\u003e"}
R 0.00
Quick View {"id":642493906972,"title":"Universal Audio 710 Twin-Finity","handle":"universal-audio-710-twin-finity-tube-fet-preamp-di","description":"\u003ch5\u003eOverview\u003c\/h5\u003e\n\u003ch3\u003eGet tube and solid-state sonics and everything in-between with this unique mic pre\/DI.\u003c\/h3\u003e\n\u003cp\u003eThe award-winning 710 Twin-Finity™ is a radical UA mic preamp design that combines both the classic retro warmth of tubes with the transient bite of solid-state, all in a 2U, half-rack unit. The 710 was created specifically to add the tonal versatility and sonic inspiration missing from generic audio interface preamps.\u003cbr\u003e\u003cbr\u003eTone blending is continually variable between 100% tube and 100% solid-state, offering a practically infinite range of unique preamp tones, plus the ability to easily dial-in your own signature sound. There are lots of sensibly priced solid-state and tube preamplifiers out there, but the 710 Twin-Finity is the only one that offers the best of both worlds — as well as everything in-between — all in one box, and within reach of any serious project studio’s budget. Includes a 19\" rack-kit for mounting one or two units.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHarness the distinct sonic properties of tubes and solid-state in one unique preamp\/DI\u003c\/li\u003e\n\u003cli\u003eUnlock the potential of your mic locker with a powerfully versatile preamp\u003c\/li\u003e\n\u003cli\u003eBlend between tube and solid-state sounds for myriad textures and tones\u003c\/li\u003e\n\u003cli\u003eUnlock the potential of your mic locker with a powerfully versatile preamp\u003c\/li\u003e\n\u003cli\u003eEasily track guitar, bass, or keyboards with the front panel 1\/4“ Hi-Z instrument input\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eThe Ultimate in Mic Pre Flexibility\u003c\/h3\u003e\n\u003cp\u003eThe key to the 710 Twin-Finity’s sonic flexibility lies in its innovative circuit design, featuring a solid-state transimpedance input amp simultaneously driving separate, phase-aligned tube and solid-state gain stages, which are then summed to a single output. The mix between the 310 volt single-ended class-A triode tube stage and solid-state transimpedance stage is controlled via the \"Blend Knob\" labeled \"∞\". Blending is continually variable between 100% tube and 100% solid-state offering a practically infinite range of unique pre-amp tones and the ability to easily dial-in your own signature sound.\u003c\/p\u003e\n\u003ch3\u003eDrive for Days\u003c\/h3\u003e\n\u003cp\u003eLike all our other preamp designs, the 710 features dual gain-stage controls (Gain\/Level) which can radically vary the amount of coloration and distortion by allowing you to crank up the input gain like a guitar amp. The VU meter features a unique \"Drive\" mode allowing you to see how hard you are driving the input stage.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTwin-Finity™ Tone-Blending Mic\/Line Preamp \u0026amp; Hi-Z Instrument DI\u003c\/li\u003e\n\u003cli\u003eDual-Path 310 volt Class-A Tube and Transimpedance Solid State Preamp\u003c\/li\u003e\n\u003cli\u003ePhase-Aligned \"Tone-Blending\" of Tube and Solid State\u003c\/li\u003e\n\u003cli\u003eDual Gain Stages: Wire with Gain to Creamy to Crunchy\u003c\/li\u003e\n\u003cli\u003eDiscrete JFET DI with 2.2M ohm Ultra Hi-Z impedance\u003c\/li\u003e\n\u003cli\u003eMonolithic Balanced Output Stage\u003c\/li\u003e\n\u003cli\u003e70dB+ of gain, +48V Phantom, Pad(-15dB), Phase Invert, and Low Cut Filter(75Hz)\u003c\/li\u003e\n\u003cli\u003eOutput and \"Drive\" backlit VU metering\u003c\/li\u003e\n\u003cli\u003ePortable, Rack-Mountable design for Studio, Desktop or Stage\u003c\/li\u003e\n\u003cli\u003e19” Rack Kit Included\u003c\/li\u003e\n\u003cli\u003eFront Panel Hi-Z Input (switched from Mic\/Line automatically via Jack Detect)\u003c\/li\u003e\n\u003cli\u003eRear Panel XLR Mic Input, XLR Line Input and XLR Line Output\u003c\/li\u003e\n\u003cli\u003eUniversal Internal Power Supply\u003c\/li\u003e\n\u003cli\u003eHeavy-Duty Metal Construction\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eTechnical Specs\u003c\/h5\u003e\n\u003cp\u003e\u003cb\u003eInputs\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003eMicrophone (Female XLR) \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBalanced Line (Female XLR) \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eUnbalanced Instrument (1\/4\" jack) (D.I.)\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eOutputs\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003eBalanced Line (Male XLR)\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eTube Complement\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003e12ax7\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cb\u003ePad\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003e-15dB\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eHigh Pass Filter\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003e75Hz\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eMaximum Power Consumption\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003e160mA @120VAC, 20W\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cb\u003ePower Requirements\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003e100-240VAC\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eDimensions\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003e8.45W x 3.5H x 10.25D\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eWeight\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003e5.25 lb\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eImpedance\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003eMic Input Impedance\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2K ohms\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLine Input Impedance\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10K ohms\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHi-Z Input Impedance\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2.2M ohms\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eInternal Output Impedance\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e600 ohms\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eGain\/Levels\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003eGain Range for Unit\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e-Infinity to 70dBu\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMic Range Gain Pot\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 ~ 60 dBu\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLine Range Gain Pot\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e-10 ~ 40 dBu\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHi-Z Range Gain Pot\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e-10 ~ 40 dBu\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eFrequency Response\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003eMic Frequency Response\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e20Hz to 100kHz +\/- 0.2 dBu\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLine Frequency Response\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e20Hz to 100kHz +\/- 0.2 dBu\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHi-Z Frequency Response\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e20Hz to 100kHz +\/- 0.2 dBu\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eDistortion\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003eMin THD+Noise @ +4dBU\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e0.1% tube 0.005% solid-state\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e","published_at":"2018-08-23T16:37:56+02:00","created_at":"2018-02-11T12:40:09+02:00","vendor":"Universal Audio","type":"Microphone Preamps","tags":["Brand_Universal Audio"],"price":0,"price_min":0,"price_max":0,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7721284010012,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"UA710TF","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Universal Audio 710 Twin-Finity","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/universal-audio-microphone-preamps-universal-audio-710-twin-finity-2202045939740.jpg?v=1552784971","\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/universal-audio-microphone-preamps-universal-audio-710-twin-finity-2202046103580.jpg?v=1552784971","\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/universal-audio-microphone-preamps-universal-audio-710-twin-finity-2202045972508.jpg?v=1552784971","\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/universal-audio-microphone-preamps-universal-audio-710-twin-finity-2202046300188.jpg?v=1552784971"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/universal-audio-microphone-preamps-universal-audio-710-twin-finity-2202045939740.jpg?v=1552784971","options":["Title"],"content":"\u003ch5\u003eOverview\u003c\/h5\u003e\n\u003ch3\u003eGet tube and solid-state sonics and everything in-between with this unique mic pre\/DI.\u003c\/h3\u003e\n\u003cp\u003eThe award-winning 710 Twin-Finity™ is a radical UA mic preamp design that combines both the classic retro warmth of tubes with the transient bite of solid-state, all in a 2U, half-rack unit. The 710 was created specifically to add the tonal versatility and sonic inspiration missing from generic audio interface preamps.\u003cbr\u003e\u003cbr\u003eTone blending is continually variable between 100% tube and 100% solid-state, offering a practically infinite range of unique preamp tones, plus the ability to easily dial-in your own signature sound. There are lots of sensibly priced solid-state and tube preamplifiers out there, but the 710 Twin-Finity is the only one that offers the best of both worlds — as well as everything in-between — all in one box, and within reach of any serious project studio’s budget. Includes a 19\" rack-kit for mounting one or two units.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHarness the distinct sonic properties of tubes and solid-state in one unique preamp\/DI\u003c\/li\u003e\n\u003cli\u003eUnlock the potential of your mic locker with a powerfully versatile preamp\u003c\/li\u003e\n\u003cli\u003eBlend between tube and solid-state sounds for myriad textures and tones\u003c\/li\u003e\n\u003cli\u003eUnlock the potential of your mic locker with a powerfully versatile preamp\u003c\/li\u003e\n\u003cli\u003eEasily track guitar, bass, or keyboards with the front panel 1\/4“ Hi-Z instrument input\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eThe Ultimate in Mic Pre Flexibility\u003c\/h3\u003e\n\u003cp\u003eThe key to the 710 Twin-Finity’s sonic flexibility lies in its innovative circuit design, featuring a solid-state transimpedance input amp simultaneously driving separate, phase-aligned tube and solid-state gain stages, which are then summed to a single output. The mix between the 310 volt single-ended class-A triode tube stage and solid-state transimpedance stage is controlled via the \"Blend Knob\" labeled \"∞\". Blending is continually variable between 100% tube and 100% solid-state offering a practically infinite range of unique pre-amp tones and the ability to easily dial-in your own signature sound.\u003c\/p\u003e\n\u003ch3\u003eDrive for Days\u003c\/h3\u003e\n\u003cp\u003eLike all our other preamp designs, the 710 features dual gain-stage controls (Gain\/Level) which can radically vary the amount of coloration and distortion by allowing you to crank up the input gain like a guitar amp. The VU meter features a unique \"Drive\" mode allowing you to see how hard you are driving the input stage.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTwin-Finity™ Tone-Blending Mic\/Line Preamp \u0026amp; Hi-Z Instrument DI\u003c\/li\u003e\n\u003cli\u003eDual-Path 310 volt Class-A Tube and Transimpedance Solid State Preamp\u003c\/li\u003e\n\u003cli\u003ePhase-Aligned \"Tone-Blending\" of Tube and Solid State\u003c\/li\u003e\n\u003cli\u003eDual Gain Stages: Wire with Gain to Creamy to Crunchy\u003c\/li\u003e\n\u003cli\u003eDiscrete JFET DI with 2.2M ohm Ultra Hi-Z impedance\u003c\/li\u003e\n\u003cli\u003eMonolithic Balanced Output Stage\u003c\/li\u003e\n\u003cli\u003e70dB+ of gain, +48V Phantom, Pad(-15dB), Phase Invert, and Low Cut Filter(75Hz)\u003c\/li\u003e\n\u003cli\u003eOutput and \"Drive\" backlit VU metering\u003c\/li\u003e\n\u003cli\u003ePortable, Rack-Mountable design for Studio, Desktop or Stage\u003c\/li\u003e\n\u003cli\u003e19” Rack Kit Included\u003c\/li\u003e\n\u003cli\u003eFront Panel Hi-Z Input (switched from Mic\/Line automatically via Jack Detect)\u003c\/li\u003e\n\u003cli\u003eRear Panel XLR Mic Input, XLR Line Input and XLR Line Output\u003c\/li\u003e\n\u003cli\u003eUniversal Internal Power Supply\u003c\/li\u003e\n\u003cli\u003eHeavy-Duty Metal Construction\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eTechnical Specs\u003c\/h5\u003e\n\u003cp\u003e\u003cb\u003eInputs\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003eMicrophone (Female XLR) \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBalanced Line (Female XLR) \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eUnbalanced Instrument (1\/4\" jack) (D.I.)\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eOutputs\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003eBalanced Line (Male XLR)\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eTube Complement\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003e12ax7\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cb\u003ePad\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003e-15dB\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eHigh Pass Filter\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003e75Hz\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eMaximum Power Consumption\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003e160mA @120VAC, 20W\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cb\u003ePower Requirements\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003e100-240VAC\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eDimensions\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003e8.45W x 3.5H x 10.25D\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eWeight\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003e5.25 lb\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eImpedance\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003eMic Input Impedance\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2K ohms\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLine Input Impedance\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10K ohms\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHi-Z Input Impedance\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2.2M ohms\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eInternal Output Impedance\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e600 ohms\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eGain\/Levels\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003eGain Range for Unit\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e-Infinity to 70dBu\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMic Range Gain Pot\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 ~ 60 dBu\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLine Range Gain Pot\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e-10 ~ 40 dBu\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHi-Z Range Gain Pot\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e-10 ~ 40 dBu\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eFrequency Response\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003eMic Frequency Response\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e20Hz to 100kHz +\/- 0.2 dBu\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLine Frequency Response\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e20Hz to 100kHz +\/- 0.2 dBu\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHi-Z Frequency Response\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e20Hz to 100kHz +\/- 0.2 dBu\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eDistortion\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003eMin THD+Noise @ +4dBU\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e0.1% tube 0.005% solid-state\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e"}
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Quick View {"id":642480603164,"title":"Universal Audio 6176 Vintage Tube Channel Strip","handle":"universal-audio-6176","description":"\u003ch5\u003eOverview\u003c\/h5\u003e\n\u003ch3\u003e\u003cstrong\u003eA classic tube microphone preamp and 1176LN compressor in a single unit.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe Universal Audio 6176 Vintage Channel Strip combines the alluring, all-tube sounds of the legendary Bill Putnam-designed 610 microphone preamp, with the signature FET compression of our 1176LN, to create the ultimate recording channel strip.\u003cbr\u003e\u003cbr\u003eThe warm, smooth tones of this mic preamp design — employed to record everyone from Frank Sinatra to Van Halen — and the unique characteristics of the compressor, are two major reasons why the 6176 is found in studios around the world.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRecord through the all-tube mic preamp derived from legendary Bill Putnam-designed 610 modular console\u003c\/li\u003e\n\u003cli\u003eUse the \"Split\" or \"Join\" switch for separate or series operation of the preamp and compressor\u003c\/li\u003e\n\u003cli\u003eCompress signals with the 1176LN Class A FET compressor section — heard on countless hit records for more than 40 years\u003c\/li\u003e\n\u003cli\u003eShape your tracks through vintage UA, \"handmade in the USA,\" circuits\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTwo Classics in One\u003c\/h3\u003e\n\u003cp\u003eThanks to its straightforward controls and hallmark sound, the 6176 is the signal path of choice for engineering heavyweights like Vance Powell and Joe Chiccarelli, plus artists including Chris Martin of Coldplay, Norah Jones, Wyclef Jean, and James Mercer of The Shins. The ability to “Split” or “Join” the preamp and the compressor sections via a simple switch gives the 6176 added flexibility. This is truly UA’s premier channel strip, and among the world’s finest.\u003c\/p\u003e\n\u003ch3\u003eThe 610B — A World Renowned Mic Preamp\u003c\/h3\u003e\n\u003cp\u003eThe 2-610 microphone and instrument preamplifier has received praise from many corners. Michael Cooper, in his review for Mix Magazine, called it \"hands-down, the most dimensional mic preamp I've ever heard\". Peter Wade, engineer\/producer who has worked with acts ranging from Wyclef Jean to Jennifer Lopez, said simply, \"This box rocks.\" The 6176 mic preamp sections maintains the quality and character of the 2-610 while adding high-tension power regulation for improved bass response and a front-panel 15db pad switch.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/media.uaudio.com\/assetlibrary\/6\/1\/6176_channel_strip_feature_1_1.jpg\" alt=\"\"\u003e\u003c\/p\u003e\n\u003ch3\u003eThe 1176LN — A Compressor with Tone\u003c\/h3\u003e\n\u003cp\u003eAs legendary engineer\/producer Andy Johns put it, \"The 1176LN is the workhorse compressor.\" In fact, the 1176LN may well be the most loved compressor in history. Its trademark lightning-quick attack and release times and the tone of it's Class A output amplifier have enhanced countless recordings over the last thirty-five years. We've recreated the 1176LN for the compressor section of the 6176 with the same exacting, attention to detail and tradition we use on our 1176LN. The resulting character, heritage and tone simply cannot be found on other channel strips.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/media.uaudio.com\/assetlibrary\/6\/1\/6176_channel_strip_feature_2_1.jpg\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAll-tube mic preamp section derived from legendary Bill Putnam-designed 610 modular console\u003c\/li\u003e\n\u003cli\u003eSignature 1176LN Class A FET compressor section — heard on countless hit records for more than 40 years\u003c\/li\u003e\n\u003cli\u003e\"Split\" or \"Join\" switch allows separate or series operation of the preamp and compressor\u003c\/li\u003e\n\u003cli\u003eHigh and Low frequency shelving EQ\u003c\/li\u003e\n\u003cli\u003eVariable impedance Input, Gain, and Output levels\u003c\/li\u003e\n\u003cli\u003eMic, balanced Line, and Hi-Z inputs\u003c\/li\u003e\n\u003cli\u003eUltra-quiet operation\u003c\/li\u003e\n\u003cli\u003eStereo interconnection via 1176-SA\u003c\/li\u003e\n\u003cli\u003eHand-built in USA; backed by 1-Year limited warranty\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eTechnical Specs\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003ePreamp:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eMicrophone Input Impedance: Selectable, 500 Ω(ohms) or 2k\u003cbr\u003eBalanced Line Input Impedance: 20k Ω\u003cbr\u003eHi-Z Input Impedance: Selectable between 2.2 M Ω or 47 k Ω\u003cbr\u003eMaximum Microphone Input Level: +18 dBu (2k input impedance and 15 dB Pad in)\u003cbr\u003eMaximum Output Level: +20 dBm\u003cbr\u003eInternal Output Impedance: 80 Ω\u003cbr\u003eRecommended Minimum Load: 600 Ω\u003cbr\u003eFrequency Response: 20 Hz to 20 kHz +0, -1 dB\u003cbr\u003eMaximum Gain: 65 dB (500 Ω input impedance)\u003cbr\u003eSignal-to-Noise Ratio \u0026gt; 90 dB (@ maximum gain)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLimiting Amplifier:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eInput Impedance: Selectable, 15k Ω (ohms) or 600 Ω\u003cbr\u003eOutput Load: Impedance 600 Ω (floating)\u003cbr\u003eFrequency Response: 20 Hz to 20 kHz ± 1 dB\u003cbr\u003eGain: 40 dB, ± 1 dB\u003cbr\u003eDistortion: \u0026gt; 0.5% T.H.D. from 50 Hz – 15 kHz with limiting, at 1.1 seconds release setting. Output of +22 dBm with no greater than 0.5% T.H.D.\u003cbr\u003eSignal-to-Noise Ratio: \u0026gt; 75 dB\u003cbr\u003eAttack Time: Adjustable, from 20 to 800 microseconds\u003cbr\u003eRelease Time: Adjustable, from 50 milliseconds to 1.1 seconds\u003cbr\u003eStereo Interconnection: Optional, using 1176SA stereo interconnect accessory\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eGeneral:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTube Complement: (1) 12AX7A, (1) 12AT7A\u003cbr\u003ePower Requirements: 115V\/230V\u003cbr\u003ePower Connector: Detachable IEC power cable.\u003cbr\u003eFuse: 400 mA time delay (slow blow) \/ 115 V200 mA time delay (slow blow) \/ 230 V\u003cbr\u003ePower Indicator Light: 28 V bulb (type 1819)\u003cbr\u003eDimensions 1: 9\" W x 3.5\" H x 12.25\" D (two rack unit)\u003cbr\u003eWeight: 12 lb.\u003c\/p\u003e","published_at":"2018-08-23T16:36:02+02:00","created_at":"2018-02-11T12:27:59+02:00","vendor":"Universal Audio","type":"Microphone Preamps","tags":["Brand_Universal Audio"],"price":0,"price_min":0,"price_max":0,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7721120333852,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"UA6176","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Universal Audio 6176 Vintage Tube Channel Strip","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/universal-audio-microphone-preamps-universal-audio-6176-vintage-tube-channel-strip-2201983811612.jpg?v=1552785108","\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/universal-audio-microphone-preamps-universal-audio-6176-vintage-tube-channel-strip-2201983975452.jpg?v=1552785108","\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/universal-audio-microphone-preamps-universal-audio-6176-vintage-tube-channel-strip-2201984040988.jpg?v=1552785108"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/universal-audio-microphone-preamps-universal-audio-6176-vintage-tube-channel-strip-2201983811612.jpg?v=1552785108","options":["Title"],"content":"\u003ch5\u003eOverview\u003c\/h5\u003e\n\u003ch3\u003e\u003cstrong\u003eA classic tube microphone preamp and 1176LN compressor in a single unit.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe Universal Audio 6176 Vintage Channel Strip combines the alluring, all-tube sounds of the legendary Bill Putnam-designed 610 microphone preamp, with the signature FET compression of our 1176LN, to create the ultimate recording channel strip.\u003cbr\u003e\u003cbr\u003eThe warm, smooth tones of this mic preamp design — employed to record everyone from Frank Sinatra to Van Halen — and the unique characteristics of the compressor, are two major reasons why the 6176 is found in studios around the world.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRecord through the all-tube mic preamp derived from legendary Bill Putnam-designed 610 modular console\u003c\/li\u003e\n\u003cli\u003eUse the \"Split\" or \"Join\" switch for separate or series operation of the preamp and compressor\u003c\/li\u003e\n\u003cli\u003eCompress signals with the 1176LN Class A FET compressor section — heard on countless hit records for more than 40 years\u003c\/li\u003e\n\u003cli\u003eShape your tracks through vintage UA, \"handmade in the USA,\" circuits\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTwo Classics in One\u003c\/h3\u003e\n\u003cp\u003eThanks to its straightforward controls and hallmark sound, the 6176 is the signal path of choice for engineering heavyweights like Vance Powell and Joe Chiccarelli, plus artists including Chris Martin of Coldplay, Norah Jones, Wyclef Jean, and James Mercer of The Shins. The ability to “Split” or “Join” the preamp and the compressor sections via a simple switch gives the 6176 added flexibility. This is truly UA’s premier channel strip, and among the world’s finest.\u003c\/p\u003e\n\u003ch3\u003eThe 610B — A World Renowned Mic Preamp\u003c\/h3\u003e\n\u003cp\u003eThe 2-610 microphone and instrument preamplifier has received praise from many corners. Michael Cooper, in his review for Mix Magazine, called it \"hands-down, the most dimensional mic preamp I've ever heard\". Peter Wade, engineer\/producer who has worked with acts ranging from Wyclef Jean to Jennifer Lopez, said simply, \"This box rocks.\" The 6176 mic preamp sections maintains the quality and character of the 2-610 while adding high-tension power regulation for improved bass response and a front-panel 15db pad switch.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/media.uaudio.com\/assetlibrary\/6\/1\/6176_channel_strip_feature_1_1.jpg\" alt=\"\"\u003e\u003c\/p\u003e\n\u003ch3\u003eThe 1176LN — A Compressor with Tone\u003c\/h3\u003e\n\u003cp\u003eAs legendary engineer\/producer Andy Johns put it, \"The 1176LN is the workhorse compressor.\" In fact, the 1176LN may well be the most loved compressor in history. Its trademark lightning-quick attack and release times and the tone of it's Class A output amplifier have enhanced countless recordings over the last thirty-five years. We've recreated the 1176LN for the compressor section of the 6176 with the same exacting, attention to detail and tradition we use on our 1176LN. The resulting character, heritage and tone simply cannot be found on other channel strips.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/media.uaudio.com\/assetlibrary\/6\/1\/6176_channel_strip_feature_2_1.jpg\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAll-tube mic preamp section derived from legendary Bill Putnam-designed 610 modular console\u003c\/li\u003e\n\u003cli\u003eSignature 1176LN Class A FET compressor section — heard on countless hit records for more than 40 years\u003c\/li\u003e\n\u003cli\u003e\"Split\" or \"Join\" switch allows separate or series operation of the preamp and compressor\u003c\/li\u003e\n\u003cli\u003eHigh and Low frequency shelving EQ\u003c\/li\u003e\n\u003cli\u003eVariable impedance Input, Gain, and Output levels\u003c\/li\u003e\n\u003cli\u003eMic, balanced Line, and Hi-Z inputs\u003c\/li\u003e\n\u003cli\u003eUltra-quiet operation\u003c\/li\u003e\n\u003cli\u003eStereo interconnection via 1176-SA\u003c\/li\u003e\n\u003cli\u003eHand-built in USA; backed by 1-Year limited warranty\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eTechnical Specs\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003ePreamp:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eMicrophone Input Impedance: Selectable, 500 Ω(ohms) or 2k\u003cbr\u003eBalanced Line Input Impedance: 20k Ω\u003cbr\u003eHi-Z Input Impedance: Selectable between 2.2 M Ω or 47 k Ω\u003cbr\u003eMaximum Microphone Input Level: +18 dBu (2k input impedance and 15 dB Pad in)\u003cbr\u003eMaximum Output Level: +20 dBm\u003cbr\u003eInternal Output Impedance: 80 Ω\u003cbr\u003eRecommended Minimum Load: 600 Ω\u003cbr\u003eFrequency Response: 20 Hz to 20 kHz +0, -1 dB\u003cbr\u003eMaximum Gain: 65 dB (500 Ω input impedance)\u003cbr\u003eSignal-to-Noise Ratio \u0026gt; 90 dB (@ maximum gain)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLimiting Amplifier:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eInput Impedance: Selectable, 15k Ω (ohms) or 600 Ω\u003cbr\u003eOutput Load: Impedance 600 Ω (floating)\u003cbr\u003eFrequency Response: 20 Hz to 20 kHz ± 1 dB\u003cbr\u003eGain: 40 dB, ± 1 dB\u003cbr\u003eDistortion: \u0026gt; 0.5% T.H.D. from 50 Hz – 15 kHz with limiting, at 1.1 seconds release setting. Output of +22 dBm with no greater than 0.5% T.H.D.\u003cbr\u003eSignal-to-Noise Ratio: \u0026gt; 75 dB\u003cbr\u003eAttack Time: Adjustable, from 20 to 800 microseconds\u003cbr\u003eRelease Time: Adjustable, from 50 milliseconds to 1.1 seconds\u003cbr\u003eStereo Interconnection: Optional, using 1176SA stereo interconnect accessory\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eGeneral:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTube Complement: (1) 12AX7A, (1) 12AT7A\u003cbr\u003ePower Requirements: 115V\/230V\u003cbr\u003ePower Connector: Detachable IEC power cable.\u003cbr\u003eFuse: 400 mA time delay (slow blow) \/ 115 V200 mA time delay (slow blow) \/ 230 V\u003cbr\u003ePower Indicator Light: 28 V bulb (type 1819)\u003cbr\u003eDimensions 1: 9\" W x 3.5\" H x 12.25\" D (two rack unit)\u003cbr\u003eWeight: 12 lb.\u003c\/p\u003e"}
R 0.00
Quick View {"id":642462875676,"title":"Universal Audio SOLO\/610","handle":"universal-audio-solo-610","description":"\u003ch5\u003eOverview\u003c\/h5\u003e\n\u003ch3\u003eThe all-tube 610 Console Mic Preamp sound in a rugged, “go anywhere” design.\u003c\/h3\u003e\n\u003cp\u003eThe Universal Audio SOLO-610 delivers the classic Putnam 610 tube console sound in a portable, highly versatile mic preamp design. It provides the silky, vintage warmth of the original console’s mic amp design, and will flatter and enhance any microphone or instrument with its iconic tones.\u003cbr\u003e\u003cbr\u003eThanks to its convenient form factor, the SOLO\/610 can be conveniently used in the control room or the recording room, on stage, or on a desktop. Functionally lean but sonically mean, the SOLO\/610 maintains the character of the 610 console — at a price every serious project studio can afford.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRecord through the classic tube circuit of the Putnam 610 console mic preamp and DI\u003c\/li\u003e\n\u003cli\u003eSculpt signals with Gain, Level, and Impedance controls for maximum tonal variety\u003c\/li\u003e\n\u003cli\u003eAdd tube girth and detail to any mic\u003c\/li\u003e\n\u003cli\u003eCraft your sounds with classic UA tube circuits, hand-built in the USA\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eVintage Tones, Modern Workflow\u003c\/h3\u003e\n\u003cp\u003eThe SOLO\/610 offers Mic and DI inputs, and Gain and Level controls for myriad clean or colored sounds. Unlike its predecessors, the SOLO\/610 has continuous Gain control with even greater range, allowing for precise gain structuring. The SOLO\/610 has all of the essential features of a professional mic pre, including 48v Phantom Power, Lo-Cut filtering, Phase Reverse, and flexible dual impedance selection for both Mic and DI inputs. The SOLO\/610 also includes essential DI features like Thru use in conjunction with an amplifier, plus Ground Lift and a versatile Mic\/Line level output switch.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eClassic Putnam 610 console mic preamplifier and DI\u003c\/li\u003e\n\u003cli\u003eLegendary all-tube sound, at a project studio price\u003c\/li\u003e\n\u003cli\u003eGain, Level, and Impedance selection for maximum tonal variety\u003c\/li\u003e\n\u003cli\u003ePortable design for studio, desktop or stage\u003c\/li\u003e\n\u003cli\u003eRugged construction-steel chassis\u003c\/li\u003e\n\u003cli\u003eDI features include Thru and Mic\/Line level output\u003c\/li\u003e\n\u003cli\u003eHand-built in USA; backed by 1-year limited warranty\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eTechnical Specs\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eInput Impedance\u003c\/strong\u003e\u003cbr\u003eMic Input - Selectable 450 ohms (Lo-Z) or 1.6 kilohms (Hi-Z)\u003cbr\u003eDI Input - Selectable 2.2 megohms (Lo-Z) or 50 kilohms (Hi-Z)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOutput Load Impedance\u003c\/strong\u003e\u003cbr\u003e20 Hz to 20 kHz +\/- 1 dB\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMaximum Gain\u003c\/strong\u003e\u003cbr\u003e61 dB\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTube Complement\u003c\/strong\u003e\u003cbr\u003e(1) 12AX7, (1) 12AT7\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMaximum Mic Input Level\u003c\/strong\u003e\u003cbr\u003e-12 dBu, 1.0% THD+N Ratio\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMaximum Instrument Input Level\u003c\/strong\u003e\u003cbr\u003e+4 dBu, 1.0% THD+N Ratio\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMaximum Gain Mic Input\u003c\/strong\u003e\u003cbr\u003e55 dB (1.6K ohm input), 60 dB (450 ohm input)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMic\/Instrument In Frequency Response\u003c\/strong\u003e\u003cbr\u003e20 Hz to 20 kHz, +\/- 0.1 dB\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMaximum Gain Instrument Input\u003c\/strong\u003e\u003cbr\u003e37 dB\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cbr\u003eL: 14\"\u003cbr\u003eW: 5 3\/4\"\u003cbr\u003eH: 5\"\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003cbr\u003e9 lbs.\u003c\/p\u003e","published_at":"2018-08-23T16:44:28+02:00","created_at":"2018-02-11T12:11:48+02:00","vendor":"Universal Audio","type":"Microphone Preamps","tags":["Brand_Universal Audio"],"price":0,"price_min":0,"price_max":0,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7720859959324,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"UASOLO610","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Universal Audio SOLO\/610","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/universal-audio-microphone-preamps-universal-audio-solo-610-2201890979868.jpg?v=1552783908","\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/universal-audio-microphone-preamps-universal-audio-solo-610-2201891242012.jpg?v=1552783908","\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/universal-audio-microphone-preamps-universal-audio-solo-610-2201891307548.jpg?v=1552783908","\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/universal-audio-microphone-preamps-universal-audio-solo-610-2201891536924.jpg?v=1552783908"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/universal-audio-microphone-preamps-universal-audio-solo-610-2201890979868.jpg?v=1552783908","options":["Title"],"content":"\u003ch5\u003eOverview\u003c\/h5\u003e\n\u003ch3\u003eThe all-tube 610 Console Mic Preamp sound in a rugged, “go anywhere” design.\u003c\/h3\u003e\n\u003cp\u003eThe Universal Audio SOLO-610 delivers the classic Putnam 610 tube console sound in a portable, highly versatile mic preamp design. It provides the silky, vintage warmth of the original console’s mic amp design, and will flatter and enhance any microphone or instrument with its iconic tones.\u003cbr\u003e\u003cbr\u003eThanks to its convenient form factor, the SOLO\/610 can be conveniently used in the control room or the recording room, on stage, or on a desktop. Functionally lean but sonically mean, the SOLO\/610 maintains the character of the 610 console — at a price every serious project studio can afford.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRecord through the classic tube circuit of the Putnam 610 console mic preamp and DI\u003c\/li\u003e\n\u003cli\u003eSculpt signals with Gain, Level, and Impedance controls for maximum tonal variety\u003c\/li\u003e\n\u003cli\u003eAdd tube girth and detail to any mic\u003c\/li\u003e\n\u003cli\u003eCraft your sounds with classic UA tube circuits, hand-built in the USA\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eVintage Tones, Modern Workflow\u003c\/h3\u003e\n\u003cp\u003eThe SOLO\/610 offers Mic and DI inputs, and Gain and Level controls for myriad clean or colored sounds. Unlike its predecessors, the SOLO\/610 has continuous Gain control with even greater range, allowing for precise gain structuring. The SOLO\/610 has all of the essential features of a professional mic pre, including 48v Phantom Power, Lo-Cut filtering, Phase Reverse, and flexible dual impedance selection for both Mic and DI inputs. The SOLO\/610 also includes essential DI features like Thru use in conjunction with an amplifier, plus Ground Lift and a versatile Mic\/Line level output switch.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eClassic Putnam 610 console mic preamplifier and DI\u003c\/li\u003e\n\u003cli\u003eLegendary all-tube sound, at a project studio price\u003c\/li\u003e\n\u003cli\u003eGain, Level, and Impedance selection for maximum tonal variety\u003c\/li\u003e\n\u003cli\u003ePortable design for studio, desktop or stage\u003c\/li\u003e\n\u003cli\u003eRugged construction-steel chassis\u003c\/li\u003e\n\u003cli\u003eDI features include Thru and Mic\/Line level output\u003c\/li\u003e\n\u003cli\u003eHand-built in USA; backed by 1-year limited warranty\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eTechnical Specs\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eInput Impedance\u003c\/strong\u003e\u003cbr\u003eMic Input - Selectable 450 ohms (Lo-Z) or 1.6 kilohms (Hi-Z)\u003cbr\u003eDI Input - Selectable 2.2 megohms (Lo-Z) or 50 kilohms (Hi-Z)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOutput Load Impedance\u003c\/strong\u003e\u003cbr\u003e20 Hz to 20 kHz +\/- 1 dB\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMaximum Gain\u003c\/strong\u003e\u003cbr\u003e61 dB\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTube Complement\u003c\/strong\u003e\u003cbr\u003e(1) 12AX7, (1) 12AT7\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMaximum Mic Input Level\u003c\/strong\u003e\u003cbr\u003e-12 dBu, 1.0% THD+N Ratio\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMaximum Instrument Input Level\u003c\/strong\u003e\u003cbr\u003e+4 dBu, 1.0% THD+N Ratio\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMaximum Gain Mic Input\u003c\/strong\u003e\u003cbr\u003e55 dB (1.6K ohm input), 60 dB (450 ohm input)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMic\/Instrument In Frequency Response\u003c\/strong\u003e\u003cbr\u003e20 Hz to 20 kHz, +\/- 0.1 dB\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMaximum Gain Instrument Input\u003c\/strong\u003e\u003cbr\u003e37 dB\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cbr\u003eL: 14\"\u003cbr\u003eW: 5 3\/4\"\u003cbr\u003eH: 5\"\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003cbr\u003e9 lbs.\u003c\/p\u003e"}
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Quick View {"id":631244259356,"title":"Avalon V5 Microphone Pre Silver","handle":"avalon-v5","description":"\u003ch5\u003eOverview\u003c\/h5\u003e\n\u003ch4\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #ff0000;\"\u003eSpecial order\u003c\/span\u003e\u003c\/strong\u003e from \u003cstrong\u003eAvalon Design\u003c\/strong\u003e and usually arrives with you in 7-10 days*,\u003c\/h4\u003e\n\u003ch3\u003e\u003cstrong\u003eThe Avalon V5 DI-preamplifiers have been in use around the world since 1985. They have found their way into the world's leading musicians rigs and recording sessions and have been featured on thousands of the best selling (and sounding) albums, downloads and live performances.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe V5 includes the best of the Avalon U5 DI functions with a studio quality preamplifier and \"a new sonic addition\". Two alternate solid-state topologies are cascaded to provide a rich, low midrange harmonic content not offered in other Avalon preamplifiers. This feature empowers the V5 with a new scale of sonic character.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cstrong\u003eV5 Features\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003ePure Class A, 100% discrete design\u003c\/li\u003e\n\u003cli\u003eForward musical detail and sonic excellence\u003c\/li\u003e\n\u003cli\u003eMinimum audio signal path\u003c\/li\u003e\n\u003cli\u003eHigh quality transformer input \u0026amp; isolated output\u003c\/li\u003e\n\u003cli\u003eMicrophone and Hi-Z inputs to +36dB\u003c\/li\u003e\n\u003cli\u003eSwitched 2dB, high-gain preamplifier to +66dB\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2018-03-12T18:14:05+02:00","created_at":"2018-02-05T22:13:09+02:00","vendor":"Avalon Designs","type":"Microphone Preamps","tags":["Brand_Avalon Designs"],"price":0,"price_min":0,"price_max":0,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7640039358492,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"AVAL-V5","requires_shipping":true,"taxable":false,"featured_image":null,"available":false,"name":"Avalon V5 Microphone Pre Silver","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/avalon-designs-microphone-preamps-avalon-v5-microphone-pre-silver-2158422622236.jpg?v=1552762773"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/avalon-designs-microphone-preamps-avalon-v5-microphone-pre-silver-2158422622236.jpg?v=1552762773","options":["Title"],"content":"\u003ch5\u003eOverview\u003c\/h5\u003e\n\u003ch4\u003e\n\u003cstrong\u003e\u003cspan style=\"color: #ff0000;\"\u003eSpecial order\u003c\/span\u003e\u003c\/strong\u003e from \u003cstrong\u003eAvalon Design\u003c\/strong\u003e and usually arrives with you in 7-10 days*,\u003c\/h4\u003e\n\u003ch3\u003e\u003cstrong\u003eThe Avalon V5 DI-preamplifiers have been in use around the world since 1985. They have found their way into the world's leading musicians rigs and recording sessions and have been featured on thousands of the best selling (and sounding) albums, downloads and live performances.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe V5 includes the best of the Avalon U5 DI functions with a studio quality preamplifier and \"a new sonic addition\". Two alternate solid-state topologies are cascaded to provide a rich, low midrange harmonic content not offered in other Avalon preamplifiers. This feature empowers the V5 with a new scale of sonic character.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cstrong\u003eV5 Features\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003ePure Class A, 100% discrete design\u003c\/li\u003e\n\u003cli\u003eForward musical detail and sonic excellence\u003c\/li\u003e\n\u003cli\u003eMinimum audio signal path\u003c\/li\u003e\n\u003cli\u003eHigh quality transformer input \u0026amp; isolated output\u003c\/li\u003e\n\u003cli\u003eMicrophone and Hi-Z inputs to +36dB\u003c\/li\u003e\n\u003cli\u003eSwitched 2dB, high-gain preamplifier to +66dB\u003c\/li\u003e\n\u003c\/ul\u003e"}
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Quick View {"id":631223189532,"title":"Cloud Microphones CL-2 Cloudlifter +25dB Microphone Preamplifier","handle":"cloud-cl-2-cloudlifter","description":"\u003ch5\u003eOverview\u003c\/h5\u003e\n\u003ch3\u003e\u003cstrong\u003eCL-2 Cloudlifter. Two channels of active ultra-clean gain.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"font_6\"\u003eProvides two channels of up to +25dB of ultra-clean gain and optimal impedance loading for  dynamic and ribbon mics to perform their best.\u003c\/p\u003e\n\u003ch3 class=\"font_6\"\u003e\u003cstrong\u003ePlug \u0026amp; Play\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"font_6\"\u003eSimply connect one or two dynamic or ribbon mics to the input and connect a mixer or preamp to the output. Great for two mono channels or a stereo configuration.\u003c\/p\u003e\n\u003ch3 class=\"font_6\"\u003e\u003cstrong\u003ePhantom Powered\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eTurns Phantom Power into gain and clarity without passing it through to your delicate ribbon mic.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eReduce Feedback\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe Cloudlifter allows you to cut through the mix on stage with increased gain before feedback.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003ePremium Electronics\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe Cloudlifter's discrete JFET circuitry preserves the source's natural sound while keeping the direct audio path clear of transformers, capacitors, and resistors.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eMade in the USA\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"font_6\"\u003eRugged, road-ready, and portable. Manufactured responsibly in the USA. Free lifetime limited warranty.\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003eCloudlifters are an essential tool in any audio scenario.\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003eRecording into a DAW interface, performing live on stage, producing a podcast, using long cable runs in the studio, miking soft sound sources and using noisy or low gain preamps are just a few of its many uses​.\u003c\/p\u003e","published_at":"2018-02-05T21:13:01+02:00","created_at":"2018-02-05T21:54:34+02:00","vendor":"Cloud Microphones","type":"Microphone Preamps","tags":["Brand_Cloud Microphones"],"price":410000,"price_min":410000,"price_max":410000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7639788060700,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"CLOU-CL2","requires_shipping":true,"taxable":false,"featured_image":null,"available":false,"name":"Cloud Microphones CL-2 Cloudlifter +25dB Microphone Preamplifier","public_title":null,"options":["Default Title"],"price":410000,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/cloud-microphones-microphone-preamps-cloud-microphones-cl-2-cloudlifter-25db-microphone-preamplifier-2158286012444.jpg?v=1552812710","\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/cloud-microphones-microphone-preamps-cloud-microphones-cl-2-cloudlifter-25db-microphone-preamplifier-2158286143516.jpg?v=1552812710"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/cloud-microphones-microphone-preamps-cloud-microphones-cl-2-cloudlifter-25db-microphone-preamplifier-2158286012444.jpg?v=1552812710","options":["Title"],"content":"\u003ch5\u003eOverview\u003c\/h5\u003e\n\u003ch3\u003e\u003cstrong\u003eCL-2 Cloudlifter. Two channels of active ultra-clean gain.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"font_6\"\u003eProvides two channels of up to +25dB of ultra-clean gain and optimal impedance loading for  dynamic and ribbon mics to perform their best.\u003c\/p\u003e\n\u003ch3 class=\"font_6\"\u003e\u003cstrong\u003ePlug \u0026amp; Play\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"font_6\"\u003eSimply connect one or two dynamic or ribbon mics to the input and connect a mixer or preamp to the output. Great for two mono channels or a stereo configuration.\u003c\/p\u003e\n\u003ch3 class=\"font_6\"\u003e\u003cstrong\u003ePhantom Powered\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eTurns Phantom Power into gain and clarity without passing it through to your delicate ribbon mic.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eReduce Feedback\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe Cloudlifter allows you to cut through the mix on stage with increased gain before feedback.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003ePremium Electronics\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe Cloudlifter's discrete JFET circuitry preserves the source's natural sound while keeping the direct audio path clear of transformers, capacitors, and resistors.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eMade in the USA\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"font_6\"\u003eRugged, road-ready, and portable. Manufactured responsibly in the USA. Free lifetime limited warranty.\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003eCloudlifters are an essential tool in any audio scenario.\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003eRecording into a DAW interface, performing live on stage, producing a podcast, using long cable runs in the studio, miking soft sound sources and using noisy or low gain preamps are just a few of its many uses​.\u003c\/p\u003e"}
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Quick View {"id":631177969692,"title":"Cloud Microphones CL-1 Cloudlifter +25dB Microphone Preamplifier","handle":"cloud-cl-1-cloudlifter","description":"\u003ch5\u003eOverview\u003c\/h5\u003e\n\u003ch3 class=\"font_8\"\u003e\u003cstrong\u003eThe original Cloudlifter. Hear more of your dynamic \u0026amp; ribbon microphone's character and clarity with active ultra-clean gain.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003ch3 class=\"font_6\"\u003e\u003cstrong\u003eActive Ultra-Clean Gain\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"font_6\"\u003e\u003cspan class=\"wixGuard\"\u003e​\u003c\/span\u003eProvides up to +25dB of ultra-clean gain in two distinct stagesand optimal impedance loading for  dynamic and ribbon mics to perform their best.\u003c\/p\u003e\n\u003ch3 class=\"font_6\"\u003e\u003cstrong\u003ePlug \u0026amp; Play\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"font_6\"\u003e\u003cspan class=\"wixGuard\"\u003e​\u003c\/span\u003eSimply connect your dynamic or ribbon mic to the input and connect a mixer or preamp to the output. The Cloudlifter does the rest.\u003c\/p\u003e\n\u003ch3 class=\"font_6\"\u003e\u003cstrong\u003ePhantom Powered\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"font_6\"\u003eTurns Phantom Power into gain and clarity without passing it through to your delicate ribbon mic.\u003c\/p\u003e\n\u003ch3 class=\"font_6\"\u003e\u003cstrong\u003eReduce Feedback\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe Cloudlifter allows you to cut through the mix on stage with increased gain before feedback.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003ePremium Electronics\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe Cloudlifter's discrete JFET circuitry preserves the source's natural sound while keeping the direct audio path clear of transformers, capacitors, and resistors.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eMade in the USA\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eRugged, road-ready, and portable. Manufactured responsibly in the USA. Free lifetime limited warranty.\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003eCloudlifters are an essential tool for any audio scenario.\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003eRecording into a DAW interface, performing live on stage, producing a podcast, using long cable runs in the studio, miking soft sound sources and using noisy or low gain preampsare just a few of its many uses​.\u003c\/p\u003e","published_at":"2018-02-05T20:57:09+02:00","created_at":"2018-02-05T21:04:25+02:00","vendor":"Cloud Microphones","type":"Microphone Preamps","tags":["Brand_Cloud Microphones"],"price":245000,"price_min":245000,"price_max":245000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7638895198236,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"CLOU-CL1","requires_shipping":true,"taxable":false,"featured_image":null,"available":false,"name":"Cloud Microphones CL-1 Cloudlifter +25dB Microphone Preamplifier","public_title":null,"options":["Default Title"],"price":245000,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/cloud-microphones-microphone-preamps-cloud-microphones-cl-1-cloudlifter-25db-microphone-preamplifier-2157902037020.jpg?v=1552812650","\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/cloud-microphones-microphone-preamps-cloud-microphones-cl-1-cloudlifter-25db-microphone-preamplifier-2157902954524.jpg?v=1552812650"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/cloud-microphones-microphone-preamps-cloud-microphones-cl-1-cloudlifter-25db-microphone-preamplifier-2157902037020.jpg?v=1552812650","options":["Title"],"content":"\u003ch5\u003eOverview\u003c\/h5\u003e\n\u003ch3 class=\"font_8\"\u003e\u003cstrong\u003eThe original Cloudlifter. Hear more of your dynamic \u0026amp; ribbon microphone's character and clarity with active ultra-clean gain.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003ch3 class=\"font_6\"\u003e\u003cstrong\u003eActive Ultra-Clean Gain\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"font_6\"\u003e\u003cspan class=\"wixGuard\"\u003e​\u003c\/span\u003eProvides up to +25dB of ultra-clean gain in two distinct stagesand optimal impedance loading for  dynamic and ribbon mics to perform their best.\u003c\/p\u003e\n\u003ch3 class=\"font_6\"\u003e\u003cstrong\u003ePlug \u0026amp; Play\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"font_6\"\u003e\u003cspan class=\"wixGuard\"\u003e​\u003c\/span\u003eSimply connect your dynamic or ribbon mic to the input and connect a mixer or preamp to the output. The Cloudlifter does the rest.\u003c\/p\u003e\n\u003ch3 class=\"font_6\"\u003e\u003cstrong\u003ePhantom Powered\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"font_6\"\u003eTurns Phantom Power into gain and clarity without passing it through to your delicate ribbon mic.\u003c\/p\u003e\n\u003ch3 class=\"font_6\"\u003e\u003cstrong\u003eReduce Feedback\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe Cloudlifter allows you to cut through the mix on stage with increased gain before feedback.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003ePremium Electronics\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe Cloudlifter's discrete JFET circuitry preserves the source's natural sound while keeping the direct audio path clear of transformers, capacitors, and resistors.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eMade in the USA\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eRugged, road-ready, and portable. Manufactured responsibly in the USA. Free lifetime limited warranty.\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003eCloudlifters are an essential tool for any audio scenario.\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003eRecording into a DAW interface, performing live on stage, producing a podcast, using long cable runs in the studio, miking soft sound sources and using noisy or low gain preampsare just a few of its many uses​.\u003c\/p\u003e"}
R 4,995.00
Quick View {"id":9937351697,"title":"PreSonus BlueTube DP V2 Microphone \u0026 Instrument Preamp","handle":"presonus-bluetube-dp-v2","description":"\u003ch5\u003eOverview\u003c\/h5\u003e\n\u003ch2\u003e\u003cstrong\u003ePreSonus BlueTube DP V2. A dual-personality preamp with an amazing variety of tones.\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eCompact, affordable, and capable of a stunningly wide range of tones, the BlueTube DP V2 dual-path mic\/instrument preamplifier offers two independent channels, each with an XMAX Class A solid-state preamp, followed in the signal path by a 12AX7 vacuum-tube stage. A Tube Drive control provides a wide range of sounds: When clicked off, you’re using the solid-state preamp for quiet, transparent amplification; when engaged, your signals flow through the tube preamp, and you can achieve anything from gentle warmth to edgy distortion. Equipped with instrument and mic inputs and built tough for serious gigging, the BlueTube DP V2 is a great choice for guitarists, bassists, singer\/songwriters, and more.\u003c\/p\u003e\n\u003cp\u003eTransparent solid-state, warm tube distortion, and everything in between.\u003c\/p\u003e\n\u003cp\u003eWith the BlueTube DP V2 dual-path preamp, you get the best of two worlds. Our popular Class A XMAX solid-state preamps are widely lauded for their clarity and transparency, delivering incredibly high headroom, deep lows, smooth highs, and a rich overall sound. Found in many PreSonus products, it has received nothing but raves from users and the media alike. Our tube preamps are beloved for their warm, smooth sound, and the 12AX7 vacuum tubes in the BlueTube DP V2 are hand-selected and carefully tested to ensure top audio performance. Whether you want clean, transparent sound; ear-shredding fuzz; or something in between, you can achieve it with the BlueTube DP V2.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eThe most versatile preamp in its class—and built to travel.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"long-run\"\u003eThe BlueTube DP V2 offers far and away the widest variety of tone-shaping capabilities of any preamp in its class. Housed in a rugged, half-rackspace case that is built to travel, its rear panel sports two combo mic\/instrument inputs and unbalanced ¼” and balanced XLR line outputs. With two dual-path channels and this complement of I\/O, you can use it as a preamp and as a direct box (DI) for guitars and basses. Singer-songwriters can run their vocal through one channel and their guitar through the other, feeding both to the P.A.—no guitar amp needed. And we didn’t forget the extras: an 80 Hz highpass filter, phantom power, a -20 dB pad to control hot input signals, polarity reverse, and a backlit VU meter. Yet the BlueTube DP V2 is small enough to carry in a gig bag—or screw-mount it to a standard rack tray.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eTwo channels of great sound, live or in the studio.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eLive or in the studio, the BlueTube DP V2 is a great-sounding tool you’ll use on a variety of sources. Add just the right amount of tube distortion to guitars, basses, and mic signals. Go lightly for gentle warmth or go all-out for solid crunch. Use one channel as a solid-state preamp and the other as a tube preamp—it’s up to you. So visit your favorite PreSonus dealer and check out the most versatile mic\/instrument preamplifier in its price range: the BlueTube DP V2.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cstrong\u003e2 input channels, each with:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eHigh-headroom Class A XMAX mic preamplifier with 80 dB gain range\u003c\/li\u003e\n\u003cli\u003e12AX7 vacuum tube gain stage\u003c\/li\u003e\n\u003cli\u003eTube Drive tube-saturation control\u003c\/li\u003e\n\u003cli\u003e48V phantom power\u003c\/li\u003e\n\u003cli\u003e80 Hz high-pass filter\u003c\/li\u003e\n\u003cli\u003e-20 dB pad to reduce hot input levels\u003c\/li\u003e\n\u003cli\u003ePolarity-reverse switch\u003c\/li\u003e\n\u003cli\u003eIlluminated analog VU input-level meter\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eInput\/Output\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003e2 balanced combo mic\/unbalanced instrument inputs\u003c\/li\u003e\n\u003cli\u003e2 balanced XLR main (L\/R) line outputs\u003c\/li\u003e\n\u003cli\u003e2 unbalanced ¼” main (L\/R) line outputs\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003ePhysical\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eCompact 1\/2U chassis\u003c\/li\u003e\n\u003cli\u003eExternal 12 VDC, 1A power supply\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eTechnical Specs\u003c\/h5\u003e\n\u003cdiv class=\"col-xs-12 col-sm-12 col-md-6\"\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003e\n\u003ch4\u003eInputs\u003c\/h4\u003e\n\u003c\/th\u003e\n\u003cth\u003e \u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eConnector Type\u003c\/td\u003e\n\u003ctd\u003eNeutrik\u003csup\u003e®\u003c\/sup\u003e Combo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eXLR Microphone Impedance\u003c\/td\u003e\n\u003ctd\u003e1.3 kΩ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1⁄4” Instrument (Hi-Z) Impedance\u003c\/td\u003e\n\u003ctd\u003e1 MΩ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTHD+N (unweighted), solid-state\u003c\/td\u003e\n\u003ctd\u003e\u0026lt;0.005%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTHD+N (unweighted), tube stage\u003c\/td\u003e\n\u003ctd\u003e0.01% to 30%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSignal-to-Noise\u003c\/td\u003e\n\u003ctd\u003e\u0026gt;95 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePower-Supply Rejection\u003c\/td\u003e\n\u003ctd\u003e\u0026gt;98 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable class=\"product-specs-table-dark\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003e\n\u003ch4\u003eOutputs\u003c\/h4\u003e\n\u003c\/th\u003e\n\u003cth\u003e \u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eConnector Type\u003c\/td\u003e\n\u003ctd\u003eXLR and ¼” TS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eImpedance\u003c\/td\u003e\n\u003ctd\u003e51Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-sm-12 col-md-6\"\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003e\n\u003ch4\u003ePower\u003c\/h4\u003e\n\u003c\/th\u003e\n\u003cth\u003e \u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eExternal Adapter Type\u003c\/td\u003e\n\u003ctd\u003e+12 VDC, 1A, center pin positive\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable class=\"product-specs-table-dark\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003e\n\u003ch4\u003ePhysical\u003c\/h4\u003e\n\u003c\/th\u003e\n\u003cth\u003e \u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions\u003c\/td\u003e\n\u003ctd\u003e1\/2U rack-mountable (screw-mount to standard rack tray, not included)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHeight\u003c\/td\u003e\n\u003ctd\u003e1.75” (44.45 mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDepth\u003c\/td\u003e\n\u003ctd\u003e5.5” (139.7 mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWidth\u003c\/td\u003e\n\u003ctd\u003e9.5” (241.3 mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003ctd\u003eRoad-rugged construction with all-metal chassis and metal knobs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","published_at":"2018-03-14T11:50:33+02:00","created_at":"2017-08-11T22:29:55+02:00","vendor":"PreSonus","type":"Microphone Preamps","tags":["Brand_PreSonus"],"price":499500,"price_min":499500,"price_max":499500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":37800015249,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"PRES-BLUETUBEDPV2","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"PreSonus BlueTube DP V2 Microphone \u0026 Instrument Preamp","public_title":null,"options":["Default Title"],"price":499500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/presonus-microphone-preamps-presonus-bluetube-dp-v2-microphone-instrument-preamp-22441470417.jpg?v=1552823373","\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/presonus-microphone-preamps-presonus-bluetube-dp-v2-microphone-instrument-preamp-22441471825.jpg?v=1552823373","\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/presonus-microphone-preamps-presonus-bluetube-dp-v2-microphone-instrument-preamp-22441474385.jpg?v=1552823373"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/1805\/9557\/products\/presonus-microphone-preamps-presonus-bluetube-dp-v2-microphone-instrument-preamp-22441470417.jpg?v=1552823373","options":["Title"],"content":"\u003ch5\u003eOverview\u003c\/h5\u003e\n\u003ch2\u003e\u003cstrong\u003ePreSonus BlueTube DP V2. A dual-personality preamp with an amazing variety of tones.\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eCompact, affordable, and capable of a stunningly wide range of tones, the BlueTube DP V2 dual-path mic\/instrument preamplifier offers two independent channels, each with an XMAX Class A solid-state preamp, followed in the signal path by a 12AX7 vacuum-tube stage. A Tube Drive control provides a wide range of sounds: When clicked off, you’re using the solid-state preamp for quiet, transparent amplification; when engaged, your signals flow through the tube preamp, and you can achieve anything from gentle warmth to edgy distortion. Equipped with instrument and mic inputs and built tough for serious gigging, the BlueTube DP V2 is a great choice for guitarists, bassists, singer\/songwriters, and more.\u003c\/p\u003e\n\u003cp\u003eTransparent solid-state, warm tube distortion, and everything in between.\u003c\/p\u003e\n\u003cp\u003eWith the BlueTube DP V2 dual-path preamp, you get the best of two worlds. Our popular Class A XMAX solid-state preamps are widely lauded for their clarity and transparency, delivering incredibly high headroom, deep lows, smooth highs, and a rich overall sound. Found in many PreSonus products, it has received nothing but raves from users and the media alike. Our tube preamps are beloved for their warm, smooth sound, and the 12AX7 vacuum tubes in the BlueTube DP V2 are hand-selected and carefully tested to ensure top audio performance. Whether you want clean, transparent sound; ear-shredding fuzz; or something in between, you can achieve it with the BlueTube DP V2.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eThe most versatile preamp in its class—and built to travel.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"long-run\"\u003eThe BlueTube DP V2 offers far and away the widest variety of tone-shaping capabilities of any preamp in its class. Housed in a rugged, half-rackspace case that is built to travel, its rear panel sports two combo mic\/instrument inputs and unbalanced ¼” and balanced XLR line outputs. With two dual-path channels and this complement of I\/O, you can use it as a preamp and as a direct box (DI) for guitars and basses. Singer-songwriters can run their vocal through one channel and their guitar through the other, feeding both to the P.A.—no guitar amp needed. And we didn’t forget the extras: an 80 Hz highpass filter, phantom power, a -20 dB pad to control hot input signals, polarity reverse, and a backlit VU meter. Yet the BlueTube DP V2 is small enough to carry in a gig bag—or screw-mount it to a standard rack tray.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eTwo channels of great sound, live or in the studio.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eLive or in the studio, the BlueTube DP V2 is a great-sounding tool you’ll use on a variety of sources. Add just the right amount of tube distortion to guitars, basses, and mic signals. Go lightly for gentle warmth or go all-out for solid crunch. Use one channel as a solid-state preamp and the other as a tube preamp—it’s up to you. So visit your favorite PreSonus dealer and check out the most versatile mic\/instrument preamplifier in its price range: the BlueTube DP V2.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cstrong\u003e2 input channels, each with:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eHigh-headroom Class A XMAX mic preamplifier with 80 dB gain range\u003c\/li\u003e\n\u003cli\u003e12AX7 vacuum tube gain stage\u003c\/li\u003e\n\u003cli\u003eTube Drive tube-saturation control\u003c\/li\u003e\n\u003cli\u003e48V phantom power\u003c\/li\u003e\n\u003cli\u003e80 Hz high-pass filter\u003c\/li\u003e\n\u003cli\u003e-20 dB pad to reduce hot input levels\u003c\/li\u003e\n\u003cli\u003ePolarity-reverse switch\u003c\/li\u003e\n\u003cli\u003eIlluminated analog VU input-level meter\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eInput\/Output\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003e2 balanced combo mic\/unbalanced instrument inputs\u003c\/li\u003e\n\u003cli\u003e2 balanced XLR main (L\/R) line outputs\u003c\/li\u003e\n\u003cli\u003e2 unbalanced ¼” main (L\/R) line outputs\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003ePhysical\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eCompact 1\/2U chassis\u003c\/li\u003e\n\u003cli\u003eExternal 12 VDC, 1A power supply\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eTechnical Specs\u003c\/h5\u003e\n\u003cdiv class=\"col-xs-12 col-sm-12 col-md-6\"\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003e\n\u003ch4\u003eInputs\u003c\/h4\u003e\n\u003c\/th\u003e\n\u003cth\u003e \u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eConnector Type\u003c\/td\u003e\n\u003ctd\u003eNeutrik\u003csup\u003e®\u003c\/sup\u003e Combo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eXLR Microphone Impedance\u003c\/td\u003e\n\u003ctd\u003e1.3 kΩ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1⁄4” Instrument (Hi-Z) Impedance\u003c\/td\u003e\n\u003ctd\u003e1 MΩ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTHD+N (unweighted), solid-state\u003c\/td\u003e\n\u003ctd\u003e\u0026lt;0.005%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTHD+N (unweighted), tube stage\u003c\/td\u003e\n\u003ctd\u003e0.01% to 30%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSignal-to-Noise\u003c\/td\u003e\n\u003ctd\u003e\u0026gt;95 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePower-Supply Rejection\u003c\/td\u003e\n\u003ctd\u003e\u0026gt;98 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable class=\"product-specs-table-dark\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003e\n\u003ch4\u003eOutputs\u003c\/h4\u003e\n\u003c\/th\u003e\n\u003cth\u003e \u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eConnector Type\u003c\/td\u003e\n\u003ctd\u003eXLR and ¼” TS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eImpedance\u003c\/td\u003e\n\u003ctd\u003e51Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-sm-12 col-md-6\"\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003e\n\u003ch4\u003ePower\u003c\/h4\u003e\n\u003c\/th\u003e\n\u003cth\u003e \u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eExternal Adapter Type\u003c\/td\u003e\n\u003ctd\u003e+12 VDC, 1A, center pin positive\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ctable class=\"product-specs-table-dark\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003e\n\u003ch4\u003ePhysical\u003c\/h4\u003e\n\u003c\/th\u003e\n\u003cth\u003e \u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions\u003c\/td\u003e\n\u003ctd\u003e1\/2U rack-mountable (screw-mount to standard rack tray, not included)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHeight\u003c\/td\u003e\n\u003ctd\u003e1.75” (44.45 mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDepth\u003c\/td\u003e\n\u003ctd\u003e5.5” (139.7 mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWidth\u003c\/td\u003e\n\u003ctd\u003e9.5” (241.3 mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e \u003c\/td\u003e\n\u003ctd\u003eRoad-rugged construction with all-metal chassis and metal knobs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e"}