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- PreSonus StudioLive 16.0.2 16 Channel Live / Recording Digital Mixer
- PreSonus StudioLive 16.0.2 16 Channel Live / Recording Digital Mixer
PreSonus StudioLive 16.0.2. Portable, Affordable, and Amazingly Powerful
StudioLive 16.0.2: 16x2 Performance and Recording Digital Mixer
Small size. Bigger possibilities.
In a footprint of less than 2 square feet (0.19 square meters), the compact, 16-channel StudioLive® 16.0.2 offers 8 mono input channels, 4 stereo channels, and 4 aux buses, each with a high-quality, 60 mm fader. You get generous analog I/O, 12 XMAX Class A solid-state mic preamps, a Talkback input with Class A mic preamp, extensive signal processing with physical controls, MIDI control, accurate metering, and a built-in multichannel recording interface. As with all StudioLive mixers, the 16.0.2 comes with a suite of tightly integrated recording, control, and audio analysis software. And it’s so lightweight and compact that you can easily hold it in one hand and tuck it under your arm.
You’ll never run out of signal processors.
StudioLive 16.0.2 mixers provide plenty of DSP power, with no limitations, no shared resources, no figuring out what processing is available where. You have all of the processing available at all times, with no compromises or caveats. The unique Fat Channel provides a compressor, limiter, expander, and 3-band semi-parametric EQ on every channel and bus; a highpass filter on each channel; phase reverse for the channel mic preamps; a library of professionally crafted presets; and the ability to save and selectively recall processor settings. A stereo, 31-band graphic EQ sits on the main bus. To top it off, you get two 32-bit delay/reverb effects processors, each with its own dedicated mix bus and a library of useful effects presets.
Connect a StudioLive 16.0.2 mixer and you’ll instantly hear details and clarity you’d expect to find only in a much more expensive console. StudioLive mixers operate at up to 48 kHz for high-definition mixing and recording. High-quality Burr-Brown converters on every input and output provide a best-in-class 118 dB of dynamic range so you’ll catch every high and low with great accuracy and no audible distortion. And our XMAX microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound.
Recording is in StudioLive 16.0.2’s DNA.
The StudioLive 16.0.2’s built-in 16x16 multitrack recording interface is tightly integrated with the rest of the mixer—not an afterthought we tacked on. All 16 channels continuously stream to your FireWire-connected Mac® or Windows® PC. Each channel can independently access its analog input or its dedicated digital return from your computer. And with StudioLive mixers, recording is simple and easy: Just launch the included, preconfigured Capture™ software for one-click recording of all channel inputs and your main mix. Or record with the included Studio One® 3 Artist DAW—or any recording software that supports ASIO or Core Audio. Now you can record in the studio or at the gig with equal ease.
Integrated, multiplatform software for flexible control and one-click recording.
Only PreSonus StudioLive mixers are tightly integrated with an entire suite of state-of-the-art software. Mix on a Mac or Windows PC using Virtual StudioLive (VSL). Mix on an iPad® using StudioLive Remote. Control individual monitor mixes onstage with QMix® for iPhone®/iPod® touch. Completely automate virtual soundchecks and record shows with Capture™ for Mac and Windows. Tune your system to the room and watch for problems in your mix with VSL’s integrated Smaart® RTA and spectrograph. Edit, sweeten, and digitally release your recordings with Studio One 3 Artist. StudioLive-series mixers and software work together to form a cohesive ecosystem that helps you achieve your creative vision.
Dedicated analog connections for predictable signal flow.
Take a look at back panel of a StudioLive 16.0.2 mixer, and you’ll find the robust connections you’d expect from an analog mixer: balanced mic inputs on each of the 8 mono channels; 8 balanced ¼-inch line inputs; 4 unbalanced RCA line inputs; and dedicated balanced outputs for each of the 4 aux buses and the main stereo bus. Every input channel and bus send has its own dedicated jack—no sharing, no compromises—so you always know what’s flowing from each output.
Add excitement to performances with MIDI control.
Being able to control the 16.0.2 from an iPad, iPhone, or iPod touch is cool — unless your hands are busy playing your instrument. That’s why the StudioLive 16.0.2 offers something even the bigger StudioLive AI-series consoles don't: MIDI In and Out. Use a MIDI footpedal or DAW to recall scenes using MIDI Program Changes, control the main output volume and effects level, mute effects between songs, switch from lots of reverb to a little bit of delay, and change the mix for a solo. You can even automate these features with a DAW! It’s a great way to make your performances more exciting and varied, even if you don’t have a separate soundperson.
Better mixing with StudioLive family values.
It's easy to love this portable powerhouse. To learn more, visit the Media tab on the upper section of this page and watch our StudioLive 16.0.2 videos. Better yet, try a StudioLive 16.0.2 at your nearest PreSonus dealer. You’ll see what we mean about intuitive ease-of-use. You’ll hear what we mean about Class A preamps, rich DSP effects, and overall sound quality. And you'll come to believe in StudioLive family values.
Now includes Studio Magic Plug-in Suite.
This suite of plug-ins adds a wealth of fresh sounds and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavor of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies — these are real-deal workhorse that you'll rely on for countless mixes.
8 mono mic/line channel inputs, each with:
- High-headroom Class A XMAX mic preamplifier
- XLR mic and balanced ¼" line inputs
- 60 mm precision fader
4 stereo line channel inputs, with:
- High-headroom Class A XMAX mic preamplifier (Ch. 9, 11, 13, and 15)
- XLR mic inputs (Ch. 9, 11, 13, and 15)
- Balanced ¼" line inputs (Ch. 9-16)
- Unbalanced RCA line inputs (Ch. 13-16)
- 60 mm precision fader (4 stereo)
- 4 Auxiliary buses (pre/post-fader send)
2 Internal FX buses
2 stereo 32-bit digital effects processors with customizable reverb and delay presets
Fat Channel signal processing on all channels and buses, with:
- 3-band semi-parametric EQ (individual band on/off)
- Full-featured compressor
- Standard downward expander
- Phase reverse (12 mic preamplifiers only)
- Pan with dedicated 15-LED display
- Stereo link for input channels and aux buses
- High-pass filter
One 31-band stereo graphic EQ (on main outputs only)
16-in/16-out FireWire recording interface (24-bit/44.1 kHz and 48 kHz)
- Compatible with most audio software via ASIO, Windows Audio, Core Audio
Scene store and recall
Settings can be copied among channels and buses and saved as user presets.
Software bundle for Mac® and Windows® includes:
- PreSonus Studio One® Artist digital audio workstation
- PreSonus Capture™ live-recording software
- PreSonus Universal Control with Virtual StudioLive® bidirectional mixer-control software
- Free downloadable software from the Apple App Store provides wireless remote control, including:
- PreSonus StudioLive Remote for iPad®
- PreSonus QMix® for iPhone® and iPod touch®
Lockout mode protects your settings from meddlers and accidents
MIDI Control Mode provides control over:
- Scene and FX Preset recall
- Main Volume, FXA, and FXB output levels
- FXA and FXB assign/unassign to Mains
The newest release of QMix and SL Remote from the App Store has an added function for 64-bit builds to support newer iOS versions (iOS 11 and later). However, the interaction with permissions and how this feature interacts on the iOS level requires an update to Universal Control with a compatible OS.
Computer system requirements:
Below are the minimum computer-system requirements for Virtual StudioLive®.
- Windows® 7x 64/x86 SP1 or Windows 8/8.1 x64/x86 or Windows 10 x64/x86
- Intel® Core™ 2 processor (Intel Core i3 processor or better recommended)
- 4 GB RAM (8 GB or more recommended)
- Mac® OS X 10.6.8 or later
- Intel Core Duo processor (Intel Core 2 Duo or Core i3 or better recommended)
- 2 GB RAM (4 GB or more recommended)
Windows and Mac Systems
- PreSonus® Universal Control 1.5.3 or later
- IEEE 1394 FireWire 400 Port or Thunderbolt Port and Thunderbolt to FireWire Adapter
- Internet connection recommended
- DVD-ROM drive
- Internal or external 7200 RPM storage drive highly recommended
- Monitor with 1024x768 resolution
The minimum system requirements may differ for DAWs other than Studio One. Please check the requirements for your DAW of choice with its manufacturer.
Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio or MIDI signals. Monitor resolution for both PC and Mac should be no lower than 1024x768 pixels.
|Type||XLR Female, Balanced|
|Frequency Response to Direct Output (at unity gain)||20 Hz-40 kHz, 0 / -0.5 dBu|
|Frequency Response to Main Output (at unity gain)||20 Hz-20 kHz, ±0.5 dBu|
|Input Impedance (Balanced)||1 kΩ|
|THD to Direct Output (1 kHz at unity gain)||<0.005%, +4 dBu, 20 Hz–20 kHz, unity gain, unwtd|
|THD to Main Output (1 kHz at unity gain)||0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd|
|EIN to Direct Output||+125 dB unwtd, +130 dB A-wtd|
|S/N Ratio to Direct Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd)||-97 dB|
|S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd)||-94 dB|
|Common Mode Rejection Ratio (1 kHz at unity gain)||+65 dB|
|Gain Control Range (± 1 dB)||-16 dB to +67 dB|
|Maximum Input Level (unity gain)||+16 dBu|
|Phantom Power (± 2 VDC)||+48 VDC|
Line Inputs, Balanced
|Type||¼" TRS Female, balanced mono|
|Frequency Response to Direct Outputs (at unity gain)||10 Hz-40 kHz, 0 / -0.5 dBu|
|Frequency Response to Main Outputs (at unity gain)||20 Hz-20 kHz, 0/-0.5 dBu|
|Input Impedance||10 kΩ|
|THD to Direct Output (1 kHz at unity gain)||<0.0007%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd|
|THD to Main Output (1 kHz at unity gain)||<0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd|
|S/N Ratio to Direct Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd)||-105 dB|
|S/N Ratio to Main Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd)||-94 dB|
|Gain Control Range (± 1 dB)||-20 dB to +20 dB|
|Maximum Input level (unity gain)||+22 dBu|
Line Inputs, Unbalanced
|Type||RCA Female, unbalanced (stereo pair)|
|Maximum Input Level||+22 dBu|
|Type||XLR Male, balanced (stereo pair); ¼” TRS Female, balanced (stereo pair)|
|Rated Output Level||+24 dBu|
|Type||¼” TRS Female, balanced (mono)|
|Rated Output Level||+18 dBu|
|Type||¼” TRS Female, balanced (stereo pair)|
|Rated Output Level z||+18 dBu|
|Input to Output (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)||-90 dBu|
|Adjacent Channels (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)||-87 dBu|
Noise Gate (Expander)
|Threshold Range||-84 dB to 0 dB|
|Attack Time||Adaptive (0.2 - 2.5 ms)|
|Release Time||70 ms|
|Expander Attenuation Range||2:1|
|Threshold Range||-56 dB to 0 dB|
|Ratio||1:1 to 14:1|
|Response Time (Attack/Release||0.2 ms / 1.0s (“Tight”) to 180 ms / 1.0s (“Smooth”)|
|Auto Attack and Release||Attack = 10 ms, Release = 150 ms|
|Curve Types||hard and soft knee|
|Type||2nd-order shelving filter (Q = 0.55)|
|Low (Low-pass or Bandpass)||36 to 465 Hz, ±15 dB|
|Mid||260 Hz to 3.5 kHz, ±15 dB|
|High (High-pass or Bandpass)||1.4 kHz to 18 kHz, ±15 dB|
|ADC Dynamic Range (A-wtd, 48 kHz)||118 dB|
|DAC Dynamic Range (A-wtd, 48 kHz)||118 dB|
|FireWire||S400, 400 Mb/s|
|Internal Processing||32-bit, floating point|
|Sampling Rate||44.1, 48 kHz|
|A/D/A Bit Depth||24 bits|
|Reference Level for 0 dBFS||+18 dBu|
|Jitter||<20 ps rms (20 Hz - 20 kHz)|
|Jitter Attenuation||>60 dB (1 ns in ≈ 1 ps out)|
|Input-Voltage Range||100 to 240 VAC (factory-configured for country of destination)|
|Power Requirements (continuous)||100W|
|Length||15.56 inches (397 mm)|
|Width||16 inches (406 mm)|
|Maximum Height||5.5 inches (140 mm)|
As a commitment to constant improvement, PreSonus Audio Electronics, Inc., reserves the right to change any specification stated herein, at any time, without notification.
Shipment processing time
- All orders are processed within 2-3 business days.
- Real-time order tracking information will be sent via SMS and EMAIL once your order has been successfully processed and captured.
- Standard/Free shipping does not include delivery on weekends or holidays.
- Deliveries on weekend and holidays can be arranged at an extra charge to customer.
If we are experiencing a high volume of orders, shipments may be delayed by a few days. Please allow additional days in transit for delivery. If there will be a significant delay in shipment of your order, we will contact you via email or telephone. We appreciate your patience!
Shipping rates & delivery estimates
Orders below R850 does not qualify for free shipping.
Please factor in a nominal nationwide economy road 2-3 Day ETA charge of R150.
Estimated delivery time
2-3 business days
Free / R850 and above
Everyday shipping as per Economy Road freight, we work with a few different courier companies and special services are available. Please request any service which’ll be the most convenient for you and Technical Sales will gladly investigate it and revert for your consideration.
* Overnight delivery is only available for orders with delivery addresses within South Africa and confirmed before 10AM the given morning.
Delivery delays can occasionally occur, your Technical Sales Rep will keep you up to date.